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魏了翁美学观念研究

发布时间:2018-03-22 07:47

  本文选题:魏了翁 切入点:理学美学 出处:《西北大学》2017年硕士论文 论文类型:学位论文


【摘要】:魏了翁(1178年—1237年)不“倚门傍户”,具有创新意识,形成了独特的理学思想,但魏了翁的美学思想在较长时期内被忽视,魏了翁除了是理学家之外,“能诗擅词”,擅书法,还具有“比较通达而圆满”的文艺创作理论。学术界目前对其文学、诗词等文艺观点的研究较多,但多是讨论魏了翁的艺术技巧。本文尝试从思想文化角度,在哲学分析基础上,对魏了翁的美学思想进行整体研究与探讨。魏了翁在以“本”为美的基础上提出了独特的文道观,他不仅继承了朱熹的“重道轻文”、“文道合一”的观点,更进一步将有“本”者,即具有君子气节等理想人格的有道者的作品包含在内,这反映了魏了翁不仅重道,更重人对“道”的追求,重视主体的“心”的主宰作用。在魏了翁的美学体系中,作为审美实践活动的“自得”概念具有自觉性,创造性,主体性以及自然性(“非着力把捉”)四个特点。对于如何“自得”即审美修养的问题,魏了翁提出要通过“明心”使自我的主体意识觉醒,然后便可观察外物,观物之后还要做到“内反诸心”,超越对象本身而对其生命精神(理)产生共鸣,从而有所“得”。魏了翁还提出了追求“中和”气韵,要求体现义理与“气节”以及观德与论世的审美标准问题。最后,魏了翁在其诗词作品与书法作品中也体现了丰富的美学思想因素。对魏了翁美学思想的研究,有助于丰富把握中国传统美学特质与理学美学的内涵,并且对于人们更好地理解魏了翁的思想及其人格有助益。
[Abstract]:Wei Weng (1178-1237) did not "rely on his family" and had innovative consciousness and formed a unique Neo-Confucianism thought. However, Wei Weng's aesthetic thought was ignored for a long time. In addition to being a Neo-Confucianism, Wei Weng was "able to write poetry" and was good at calligraphy. At present, the academic circles have studied his literature and art views more, but mostly discussed Wei Weng's artistic skills. This paper tries to discuss Wei Weng's artistic skills from the angle of ideology and culture. On the basis of philosophy analysis, the author makes a whole research and discussion on Wei Weng's aesthetic thought. On the basis of the beauty of "this", Wei Weng puts forward a unique outlook on literature and Taoism. He not only inherits Zhu Xi's viewpoint of "attaching importance to Tao and neglecting the text", and "the unity of literature and Taoism". Further, the works of those who have "this", that is, those with ideal personality such as gentleman's character, are included, which reflects Wei Weng's pursuit of "Tao" as well as his emphasis on Tao. In Wei Weng's aesthetic system, the concept of "self-satisfaction", as a practical aesthetic activity, is self-conscious and creative. There are four characteristics of subjectivity and nature ("not focusing on catching"). With regard to the question of how to be "self-satisfied", that is, aesthetic accomplishment, Wei Weng proposed that the subject consciousness of self should be awakened through "clear mind", and then he could observe foreign things. After viewing things, we should also achieve "inner opposition to the hearts", transcending the object itself and resonating with its life spirit (theory), thus "getting". Wei Yan-weng also proposed the pursuit of "neutralization". Finally, Wei Weng also embodies abundant aesthetic thought factors in his poetry works and calligraphy works. It is helpful to enrich and grasp the connotation of Chinese traditional aesthetic characteristics and Neo-Confucianism aesthetics, and to help people better understand Wei Weng's thought and personality.
【学位授予单位】:西北大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I01;B244.99


本文编号:1647733

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