多重时间:从风格到“图像研究”——“重置的文艺复兴”及其争议

发布时间：2018-03-23 19:26

本文选题：图像模式　切入点：沃德　出处：《文艺研究》2017年07期

【摘要】：20世纪90年代以来,克里斯托弗·沃德和亚历山大·奈格尔以艺术中时间的多重性为线索,把北方与意大利文艺复兴艺术放在"表现的艺术"语境下讨论,尝试对传统文艺复兴艺术史进行重置,这是一种基于"图像研究"的新的风格史探索,在欧美学界产生一定影响,也引发诸多争议。本文以他们的两本著作《重置的文艺复兴》和《文艺复兴艺术的争议性》为基础,结合他们近年来发表的一系列论文和演讲、学界的相关书评以及70年代以来兴起的"图像研究",对美国的文艺复兴艺术研究中的这一学术思想倾向进行辨析,以期说明其中预示的一种更为开放的中世纪—文艺复兴艺术的新形态,以及这种形态与当代艺术的观念变革的复杂关联。
[Abstract]:Since the 1990s, Christopher Ward and Alexander Nagel have taken the multiplicity of time in art as a clue to discuss the art of the Northern and Italian Renaissance in the context of "the art of expression." Trying to reset the history of traditional Renaissance art, this is a new style history exploration based on "image research", which has a certain influence in European and American academic circles. This paper is based on their two books, Renaissance and the controversy of Renaissance Art, combined with a series of papers and speeches they have published in recent years. The related book reviews of academic circles and the "image study" that have arisen since the 1970s, discriminate and analyze this academic thought tendency in the American Renaissance art research. In order to explain a more open medieval-Renaissance art of the new form, and this form and contemporary art of the concept of the complex relationship.
【作者单位】：中国美术学院图书馆;
【分类号】：J171.2

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