新艺术运动的阴柔美学风格研究

发布时间：2018-03-25 14:24

本文选题：新艺术运动　切入点：阴柔　出处：《湖南工业大学》2009年硕士论文

【摘要】：一百多年前,以新艺术运动为桥,欧洲成功地走出了艺术设计的困境。基于反思和借鉴,国内有关新艺术运动的研究正越来越得到重视。笔者采用“内向观”和“外向观”的研究方法,试图从美学角度将新艺术运动定位为阴柔美,并重点对新艺术运动的阴柔美进行梳理和论证,分析和研究其阴柔美的必然性及现实意义。新艺术运动作为现代设计发展历程中极为重要的国际性运动,因其具有中西艺术和美学交汇、碰撞的特征,所以中西方美学概念中的“阴柔和阳刚”、“优美和崇高”便成为新艺术运动美学风格所追寻和探讨的内容;“师法自然”成为其设计思想、设计实践遵循的原则与出发点,而当时技术的进步、新材料的出现和各种文学思潮为其设计思想与设计实践提供了契机,并使其美学风格得以完美体现。这一时期的大量设计作品以优美的线条运用为特征充分表明了新艺术运动以曲线为美的审美取向。而19世纪末、20世纪初的象征主义、为“艺术而艺术”的唯美主义文艺思潮迎合和适应了新艺术运动的唯美诉求。新艺术运动在现代设计发展中的这种探索,与当代艺术设计具有某些共同特征,对其进行阐发对当代艺术设计实践无疑具有指导意义。
[Abstract]:More than a hundred years ago, with the New Art Movement as a bridge, Europe successfully emerged from the dilemma of art design. More and more attention is being paid to the study of the new art movement in China. The author adopts the research methods of "introverted view" and "extroverted view" to try to position the new art movement as yin and soft beauty from the angle of aesthetics. It also analyzes and studies the inevitability and practical significance of the yin tenderness of the New Art Movement. As an important international movement in the development of modern design, the New Art Movement is characterized by the intersection and collision of Chinese and Western art and aesthetics. Therefore, "feminine and masculine" in the aesthetic concepts of China and the West, "graceful and sublime" has become the content sought and discussed by the aesthetic style of the New Art Movement, and "the Nature of imitating Law" has become the principle and starting point of its design thought and design practice. At that time, the development of technology, the emergence of new materials and various literary trends provided an opportunity for his design thought and design practice. In this period, a large number of design works are characterized by the use of beautiful lines, which fully shows the aesthetic orientation of the new art movement towards the beauty of curves, and symbolism at the end of the 19th century and the beginning of the 20th century. The aestheticism of art for the sake of art caters to and adapts to the aesthetic appeal of the new art movement, whose exploration in the development of modern design has some common features with contemporary art design. It is undoubtedly of guiding significance to the practice of contemporary art design.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J110.9

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