吴炫“否定主义文艺学”的形成与发展

发布时间：2018-04-02 22:29

  本文选题：吴炫　切入点：本体性否定　出处：《柳州职业技术学院学报》2016年02期

【摘要】：吴炫的批评之路具有系统性,因为他一直试图建立一种中国式的文艺理论,他这种尝试注定会遇到最大的困难,但是他从文艺学的视野跳了出来,直接跳向了"哲学"、"美学",建立了否定主义哲学、美学、文艺学三维一体的理论体系。文章主要探讨了吴炫的文学批评的价值取向,并且从文艺学的范围来探讨"本体性否定"价值观的形成与发展。
[Abstract]:Wu Xuan's critical path is systematic, because he has been trying to establish a Chinese literary theory, which is bound to meet the greatest difficulties, but he jumped out of the field of literature and art.It directly jumps to "philosophy" and "aesthetics", and establishes the theory system of negativism philosophy, aesthetics, literature and art.This paper mainly discusses the value orientation of Wu Xuan's literary criticism, and discusses the formation and development of the value of "Noumenon negation" from the scope of literature and art.
【作者单位】： 沈阳师范大学文学院;
【分类号】：I0
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本文编号：1702426