它山不惑:四十岁前后张仃的两度转向

发布时间：2018-04-05 15:00

本文选题：张仃　切入点：水墨　出处：《装饰》2017年10期

【摘要】："通家""知之不尽",道出张仃艺术的丰富多端,又暗示他履历之复杂。但也正是因为涉猎繁多,建国时,无人可以为张仃定位,也无人能预期他未来的成就。不惑之年的张仃,被时代需要,为时代挪移,为时代弃置。在此前后,他先转向传统水墨,后涉入装饰彩墨,虽有成绩,均遭中断。即便如此,在文人画与重彩画领域均有大建树的,百年来仅它山,不作第二人想。
[Abstract]:"Tongjia", "not knowing", Zhang Ding's rich and diverse art, but also hinted at the complexity of his r 茅 sum 茅.But it was precisely because of his variety that no one could position Zhang Ding or anticipate his future achievements when he was founded.Zhang Ding is the need of the times, moved for the times, abandoned for the times.Before and after this, he first turned to traditional ink, then into decorative color ink, despite achievements, were interrupted.Even so, there are great achievements in the field of literati painting and heavy color painting.
【作者单位】：清华大学吴冠中艺术研究中心;
【分类号】：J03

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