论比较美术学建立的必要性

发布时间：2018-04-26 12:04

  本文选题：比较美术学 + 比较视域　； 参考：《文化艺术研究》2017年03期

【摘要】：作为比较艺术学子系统之一的比较美术学,应该是在比较美术学的研究实践中成果最多的,也是常被提及需要建设比较美术学的学科之一。明清以来,中西美术的交流与研究就有了较好的开端,如吴历、邹一桂、利玛窦、郎世宁等中西方学者既有美术实践又有理论研究,历史学家向达《明清之际中国美术所受西洋之影响》,宗白华《论中西画法的渊源与基础》《中西画法所表现的时空意识》等论文是比较美术学研究成果的典型范例。本世纪以来随着世界美术的交流,比较美术学的建构势在必行,同时,作为比较艺术学子系统的比较美术学是完善比较艺术学学科的必要条件之一,为此确立比较美术学的学科性质、特征是建构比较美术学的必要条件与逻辑基础。
[Abstract]:As one of the subsystems of comparative art, comparative art should be one of the subjects that need to be constructed in the research practice of comparative art. Since the Ming and Qing dynasties, there has been a good beginning in the exchange and research of Chinese and Western fine arts, such as Wu Li, Zou Yigui, Matteo Ricci, Lang Sining and other Chinese and Western scholars, who have both art practice and theoretical research. Historian Xiang Da "the Western influence on Chinese Fine Arts in the Ming and Qing dynasties", Zong Baihua "on the Origin and Foundation of Chinese and Western painting methods" and "the Space-time consciousness of Chinese and Western painting methods" are typical examples of the research results of comparative art. Since this century, with the exchange of the world's fine arts, the construction of comparative art is imperative. At the same time, as a subsystem of comparative art, comparative art is one of the necessary conditions to perfect the discipline of comparative art. Therefore, to establish the subject nature of comparative art, the characteristics are the necessary conditions and logical basis of constructing comparative art.
【作者单位】： 东南大学艺术学院;
【基金】：“中央高校基本科研业务费专项资金资助”(项目编号:2242017S10037)的阶段性成果
【分类号】：J0-03
，

本文编号：1805950