王国维美学思想转型研究

发布时间：2018-05-02 16:36

本文选题：王国维 + 美学思想　；参考：《湖南科技大学》2017年硕士论文

【摘要】：十九世纪末二十世纪初,中国传统美学在清末遭遇政统和道统脱离、传统习俗与传统道德脱离、文学与道德脱离三大现实困境,不得不走上一条转型发展之路。王国维是十九世纪末二十世纪初中国美学由传统走向现代的积极躬身实践者。他横贯中西的的学术背景为实现中国美学转型提供了良好的条件。他以孜孜不倦的学术探索精神,以毕生的学术才华,不断糅合中西学术理论差异,积极探索和尝试运用西方美学理论来深入阐释中国文学经典,最终达到一种理论与作品高度融合的境界。他以《红楼梦评论》为开端,首次将西方文论话语体系引入中国。再以《屈子文学之精神》、《古雅之在美学上之位置》为代表,无论是西方文艺批评方法的运用,还是各类论点的阐述,都显得更为圆融和自然。最后以《人间词话》为代表,回归中国传统诗话形式,采用西方思辨性、逻辑性科学思维方法,使整个诗话点评内在逻辑完整、清晰、严密,形成了一种全新的文论体系。总的来说,王国维开启了中国传统美学向现代转型的大门,对于整个中国美学的转型做出了巨大贡献。从美学观念层面,他建立了以审美为主题的纯美学观,倡导审美的独立性,具有划时代的开创性意义;从美学方法层面,他首次摆脱中国传统以来考据式、索隐式批评的缺陷,采用西方现代辩证性、逻辑性、系统性批评思维和方法,为现代中国美学批评注入了新的内涵,使得传统中国传统文学批评形式再次焕发新的生机。他给我们留下了丰富的美学遗产,在如今的时代条件下,在同样面临学术转型的今天,我们依然需要借鉴王国维等一代学术大师的智慧,既需要继续吸收西方美学思想优质因素,同时更需要加大本土传统美学思想的挖掘,以中国式的形式,重新建构中国现代美学。
[Abstract]:At the end of the 19th century and the beginning of the 20th century, Chinese traditional aesthetics was separated from political system and Taoism in the late Qing Dynasty, from traditional customs and traditional morality, and from literature and morality, so it was forced to embark on a road of transformation and development. Wang Guowei is an active practitioner of Chinese aesthetics from traditional to modern in the late 19th century and early 20 th century. His academic background across China and West provides favorable conditions for the transformation of Chinese aesthetics. With his indefatigable spirit of academic exploration and his lifelong academic talent, he constantly mixes the differences between Chinese and Western academic theories, and actively explores and tries to use western aesthetic theories to explain Chinese literary classics in depth. Finally, a high degree of integration of theory and works is achieved. Starting with A Dream of Red Mansions, he introduced the western literary discourse system into China for the first time. On behalf of the Spirit of qu Zi Literature and the position of elegance in Aesthetics, both the application of western literary criticism methods and the exposition of all kinds of arguments seem more mellow and natural. Finally, taking the word of the earth as the representative, returning to the traditional Chinese poetic form, adopting the western speculative and logical scientific thinking method, the whole poetic comment on the inner logic is complete, clear and strict, forming a new literary theory system. In general, Wang Guowei opened the door of the transformation from traditional Chinese aesthetics to modern one, and made great contributions to the transformation of Chinese aesthetics. From the perspective of aesthetic concept, he established a pure aesthetic view with aesthetic theme, advocated the independence of aesthetics, and was of epoch-making groundbreaking significance, and from the aesthetic method level, he got rid of the textual criticism of Chinese tradition for the first time and sought the defects of implicit criticism. Adopting western modern dialectics, logic, systematic critical thinking and methods has injected new connotation into modern Chinese aesthetic criticism, which makes traditional Chinese traditional literary criticism form fresh vitality again. He has left us a rich aesthetic legacy. In the present era, we still need to learn from the wisdom of a generation of academic masters, such as Wang Guowei, when we are also facing academic transformation. It is necessary not only to absorb the high quality factors of western aesthetic thought, but also to enlarge the excavation of local traditional aesthetic thought, and to re-construct Chinese modern aesthetics in the form of Chinese style.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01

【参考文献】