浅谈当代市场经济背景下的中国油画市场
发布时间:2018-05-02 21:37
本文选题:市场经济 + 油画市场 ; 参考:《武汉理工大学》2009年硕士论文
【摘要】: 油画作为西方传统绘画艺术的一个重要门类,由于历史传统原因,在中国发展只有百多年的历史。相对中国传统书画,投资者和收藏者对油画认知度、关注度都不高。油画与市场结合,在中国内地最早可追溯到20世纪80年代,晚于已形成规模的港台地区的油画市场。中国的油画市场曾经一直都是中国艺术市场最低迷,最薄弱,最缺乏活力的板块之一。 伴随着21世纪国内国际稳定的市场经济环境下中国经济的持续发展,人民文化生活与精神需求不断提升;在全球文化大融合的背景下,人们对油画认知度提高;伴随着人们对中国油画市场关注度提高,直接促使中国油画价格呈积极上升趋势,油画的收藏与投资固定群体逐渐壮大,中国油画艺术市场发展迅猛。同时在国际国内艺术品市场的带动下,中国的油画市场目前已经成为中国艺术品市场中最具魅力,发展最为迅猛,最有投资价值的一个板块。并且在整个中国艺术品市场中发挥着越来越重要的作用。 中国油画市场在市场经济背景下虽然只经历了短短二十多年的历程,但其发展迅猛。对油画市场的理论研究非常薄弱,远远跟不上油画市场的发展速度。本文以中国油画市场为观察中心,运用艺术学、美学、经济学、管理学等多学科结合的研究方法,结合中国的实际情况,以目前油画市场四大要素(油画供给者、油画商品、油画市场、油画消费者)和现代市场中介(画廊、拍卖行、艺术博览会、经纪人)为基本研究单元,系统地研究中国油画市场背后所蕴藏的运作规律,并针对中国油画市场的投资和收藏存在的诸多现实问题加以重点分析。通过这一历史时期的经济背景、状况、文化思想意识等方面对中国油画市场作尝试性的考察和探究,进一步掌握中国油画创作与拍卖收藏状况,明晰我国油画市场的发展的原因、存在的问题及未来趋势,这对提高人们对中国油画市场的认识,具有其理论和现实意义。
[Abstract]:As an important category of western traditional painting art, oil painting has developed only for more than 100 years in China due to historical and traditional reasons. Compared with traditional Chinese calligraphy and painting, investors and collectors pay little attention to oil painting. The combination of oil painting and market can be traced back to the 1980s in mainland China, later than the oil painting market in Hong Kong and Taiwan. China's oil painting market has always been one of China's most depressed, weakest, and least dynamic sectors. With the sustainable development of China's economy in the stable market economy environment of the 21st century, the people's cultural life and spiritual needs are constantly improved, in the context of the great integration of global culture, people's awareness of oil painting has improved. With the increase of attention to the Chinese oil painting market, the price of Chinese oil painting is rising, the collection and investment of oil painting is gradually growing, and the Chinese oil painting art market is developing rapidly. At the same time, driven by the international and domestic art market, the oil painting market in China has become the most attractive, the most rapid development, the most valuable plate of investment. And in the whole Chinese art market is playing a more and more important role. Under the background of market economy, Chinese oil painting market has only experienced a short history of more than 20 years, but its development is swift and violent. The theoretical research on the oil market is very weak, far from keeping up with the development of the oil market. This article takes the Chinese oil painting market as the observation center, uses the art, the esthetics, the economics, the management science and so on the multi-disciplinary combination research method, unifies the Chinese actual situation, with the present oil painting market four main factors (the oil painting supplier, the oil painting commodity, The oil painting market, oil painting consumers) and modern market intermediaries (galleries, auction houses, art fairs, brokers) are the basic research units to systematically study the operational laws behind the Chinese oil painting market, And the Chinese oil painting market investment and collection of a lot of practical problems to focus on analysis. Through this historical period of economic background, status, cultural ideology and other aspects of the Chinese oil painting market to try to investigate and explore, and further grasp the situation of Chinese oil painting creation and auction collection, It is of theoretical and practical significance to clarify the reasons, existing problems and future trends of the oil painting market in China, which is of theoretical and practical significance to improve people's understanding of the oil painting market in China.
【学位授予单位】:武汉理工大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J124
【参考文献】
相关期刊论文 前2条
1 马鸿增,马晓刚;艺术市场忧思四则[J];美术观察;1999年01期
2 徐琛;中国艺术市场问题 艺术品市场当前存在的主要问题——文化部文化市场司副司长刘玉珠访谈[J];美术观察;2000年09期
,本文编号:1835597
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