金碧庄严——克孜尔石窟艺术鸟瞰之二

发布时间：2018-05-07 10:55

  本文选题：克孜尔石窟 + 佛教艺术　； 参考：《美术》2016年02期

【摘要】：正公元6至7世纪200年间,龟兹佛教进入了持久繁荣的阶段,龟兹佛教艺术亦进入了发展的高潮期,石窟寺已遍布龟兹各地,目前可寻的石席遗址,如库木吐喇、森木塞姆、克孜尔尕哈、玛扎伯赫、托乎拉克艾肯、温巴什、台台尔、苏巴什等石窟都已相继开凿。克孜尔石窟也进入了一个开窟的高峰。克孜尔石窟有60%左右是这个时期开凿的。如此大规模开窟,一方面反映出佛法的繁盛,一方面展现出了龟兹国力之强大、经济之繁荣及社会之相对
[Abstract]:During the 200th century AD, Qiuzi Buddhism entered a stage of lasting prosperity, and the Buddhist art of Qiuzi also entered a period of development. The grottoes have spread all over Qiuzi, and the sites of stone seats that can be found at present, such as Kumutura and Senmuthum, Kizil Gaha, Mazabach, Tolakaiken, Wembashi, Terre, Subashi and other grottoes have been dug. Kizil Grottoes also entered a cave opening peak. About 60% of Kizil grottoes were dug during this period. Such a large-scale cave opening reflects the prosperity of Buddhism on the one hand, and the strength of Qiuci on the other hand, the prosperity of the economy and the relative social situation of Qiuci.
【作者单位】： 新疆龟兹石窟研究所;
【分类号】：J19
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本文编号：1856643