建构当代“知音论”文艺批评体系

发布时间：2018-05-08 20:02

  本文选题：音论 + 文艺理论　； 参考：《艺术评论》2017年06期

【摘要】：正文艺评论即审美。一切文艺评论皆为审美活动、审美过程的凝冻与固化,其中至为关键的,正是审美、赏评。既为审美,必有其标准与尺度,关乎美学与鉴赏;亦必有其路径与方法,关乎文体与写作。古代文艺批评如斯,当代文艺评论亦然。一、中古"知音论":当代文艺评论的历史借镜中古"知音论"是中国古典文艺理论中最重要的理论建树之一。作为中国古代文艺批评鉴赏论,知音论发轫于汉末,肇始于魏晋,兴盛于
[Abstract]:The criticism of literature and art is aesthetic. All literary and artistic comments are aesthetic activities, the condensation and solidification of aesthetic process, in which the most critical is aesthetic appreciation. There must be standards and standards, aesthetics and appreciation, as well as ways and methods, style and writing. Ancient literary criticism is so, so is contemporary literary criticism. First, the theory of "confidant": the historical reference of contemporary literary criticism is one of the most important theories of classical Chinese literature and art. As an appreciation theory of literary criticism in ancient China, the theory of acquaintance originated in the end of the Han Dynasty, began in the Wei and Jin dynasties, and flourished in the late Han Dynasty.
【作者单位】： 中国艺术研究院;
【基金】：国家社会科学基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”(批准号:16ZD02);国家社会科学基金重点项目“中国审美意识通史”(批准号:11AZD052)的阶段性成果
【分类号】：I206.7;J05
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本文编号：1862839