中国当代艺术作品中的“身体”符号研究

发布时间：2018-05-13 09:30

本文选题：身体 + 符号　；参考：《湖北美术学院》2010年硕士论文

【摘要】：本文的论题为中国当代艺术中的身体符号研究。对于本论题的研究,在中国当代艺术理论研究中并不多见,在加上研究当代艺术是具有社会现实意义的。中国当代艺术看起来异彩纷呈,其实从复杂的艺术表象后,可以看出人类社会最核心层的改变。在第一章中就研究论题里的符号一词和艺术中的身体进行解释。确定使用罗兰·巴特的符号学原理,来研究中国当代艺术作品中的身体。符号是来自于后现代的概念,用来研究在后现代主义下中国当代身体,是很有意义的。在第二章中主要就西方后现代思潮影响下,通俗文化与高雅文化的界限被瓦解,当代消费语境下身体成为了更能表达当代艺术家思想的载体。在当代随着科技的进步,出现越来越多的艺术形式,如:行为艺术、Video艺术、装置艺术等等。身体符号成为这些新潮艺术形式中的常见艺术元素。在第三章中,主要就中国当代艺术作品中出现身体例子进行符号学的分析。先将身体概括成三种形式:裸露的全身、花的隐喻、被放大的片段。然后分别就每种形式中的艺术作品进行符号学梳理。这样更能突出本文的主旨,身体符号在当代中国艺术中的研究价值。在第四章,主要就中国当代大的环境及已出现的当代中国艺术作品中的身体符号,来总结性的阐释身体符号在中国当代艺术作品中的创作倾向和价值取向。本文共分四章,从第一章的符号学理论为支持文章的基础,贯穿于整篇文章。第二章主要阐述后现代社会中的社会现象早就了身体成为艺术家更好的表达自己艺术语言的载体,因而身体敞开了后现代艺术之思的道路。在第三段也就是本文的重点段落,对中国当代艺术作品中出现的身体符号进行形式上的归类和符号学分析。在探讨完身体符号在中国当代艺术中的应用,再就中国当代艺术中身体符号的创作倾向、价值取向进行总结。得出结论,身体符号将成为新的纪念碑式的符号。整篇文章脉络清晰,思路流畅,对艺术中的身体符号进行了社会学、符号学等方面透彻的分析,对于中国当代艺术理论的填补是很有意义的。
[Abstract]:The thesis of this paper is the study of body symbol in Chinese contemporary art. The research on this topic is rare in the theoretical study of contemporary art in China, and it is of social practical significance to study contemporary art. Chinese contemporary art looks colorful, in fact, from the complex artistic appearance, we can see the most core changes of human society. In the first chapter, we explain the word "symbol" in the research topic and the body in art. Determine the use of Roland Bart's semiotic principles to study the body in Chinese contemporary art. Symbol is derived from the concept of post-modern, used to study the contemporary Chinese body in postmodernism, it is very meaningful. In the second chapter, under the influence of western postmodernism, the boundary between popular culture and elegant culture is disintegrated, and the body becomes the carrier to express the thoughts of contemporary artists in the context of contemporary consumption. With the development of science and technology, more and more art forms appear, such as behavior art, installation art and so on. Body symbols have become a common artistic element in these trendy art forms. In the third chapter, we analyze the body examples in Chinese contemporary works of art. The body is first summed up in three forms: a naked body, a flower metaphor, and a magnified fragment. Then the works of art in each form are sorted out by semiotics. In this way, the research value of body symbol in contemporary Chinese art can be highlighted. In the fourth chapter, the author summarizes the creation tendency and value orientation of body symbols in Chinese contemporary works of art on the basis of the great environment of contemporary China and the body symbols in contemporary Chinese works of art. This paper is divided into four chapters, from the semiotics theory of the first chapter as the basis of the article, throughout the article. The second chapter mainly expounds the social phenomenon in the post-modern society. The body has become the carrier for artists to express their artistic language better, so the body has opened the way of thinking about post-modern art. In the third paragraph, which is the key paragraph of this article, the body symbols appearing in Chinese contemporary art works are classified in form and semiotic analysis. After discussing the application of body symbol in Chinese contemporary art, the author summarizes the creation tendency and value orientation of body symbol in Chinese contemporary art. It is concluded that body symbols will become new monumental symbols. The whole article has clear thread and smooth train of thought. It makes a thorough analysis of the body symbols in art in sociology, semiotics and so on, which is of great significance to the filling of Chinese contemporary art theory.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J120.9

【参考文献】