成仿吾文艺思想研究

发布时间：2018-05-13 09:40

本文选题：成仿吾 + 文艺思想　；参考：《牡丹江师范学院》2016年硕士论文

【摘要】：本文主要研究成仿吾的文艺思想及文艺批评的相关理论,在以往学者对成仿吾文学理论研究的基础上,全面系统地总结成仿吾文艺观研究的现状以及薄弱之处,对成仿吾文艺思想的形成、发展和演变详细地分析和阐释。重点论述成仿吾文艺观中的主体性文艺观、革命文艺思想以及文艺批评的理论建构。在此基础上,进一步对成仿吾的文艺观进行再评价。全文共分为四个部分,第一部分主要研究成仿吾的主体性文艺观,成仿吾的文艺观是主客体相互融合的,然而主体性的文艺观在其文艺思想中仍然占据主导地位,其浪漫主义的文艺观和“同情”的批评观都是主体情感的最佳呈现方式。第二部分主要针对成仿吾后期的文艺观的转型变化进行探讨,重点探究成仿吾革命文艺观的形成原因以及意识形态地转变。成仿吾革命时期的文学转向并非偶然,是受主观倾向和客观环境所影响。本部分会对此问题加以分析。第三部分主要针对成仿吾文艺批评观的建设问题进行探究,分析成仿吾建设真确批评和超越兼建设批评标准的实质性意义。第四部分主要是对成仿吾文艺观的现实意义及文艺观的局限进行辩证评价。
[Abstract]:This paper mainly studies Cheng Fangwu's literary and artistic thoughts and related theories of literary criticism. On the basis of previous scholars' research on Cheng Fangwu's literary theory, this paper summarizes the present situation and weakness of Cheng Fangwu's literary and artistic theory research in an all-round and systematic way. The formation, development and evolution of Cheng Fangwu's literary and artistic thoughts are analyzed and explained in detail. This paper mainly discusses the subjective view of literature and art in Cheng Fangwu's view of literature and art, the thought of revolutionary literature and art and the theoretical construction of literary criticism. On this basis, the further re-evaluation of Cheng Fangwu's view of literature and art. This paper is divided into four parts. The first part mainly studies Cheng Fangwu's subjective view of literature and art, Cheng Fangwu's view of literature and art is the fusion of subject and object, but the subjective view of literature and art still occupies the leading position in his literary and artistic thought. His romantic view of literature and art and sympathy of criticism are the best way of presenting the subject's emotion. The second part mainly discusses the transformation and changes of Cheng Fangwu's late literary and artistic views, and probes into the formation reasons and ideological changes of Cheng Fangwu's revolutionary literary and artistic views. The literary turn during the Cheng Fangwu Revolution was not accidental, but influenced by subjective tendency and objective environment. This section will analyze this problem. In the third part, the author probes into the construction of Cheng Fangwu's literary and art criticism, and analyzes the substantive significance of the true criticism of Cheng Fangwu construction and the transcending of the standards of both construction criticism and construction criticism. The fourth part is the dialectical evaluation of the practical significance and limitation of Cheng Fangwu's literary and artistic views.
【学位授予单位】：牡丹江师范学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I0

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