实践于徘徊之中

发布时间：2018-05-20 23:29

本文选题：观念 + 内容与形式　；参考：《厦门大学》2009年硕士论文

【摘要】： 全文以我在过去三年来的艺术创作实践过程为脉络,对其创作思路和为确立个人观念而作的努力尽可能地做出客观的梳理和剖析。我在创作中使用的元素总是来自于在日常生活空间中可以看得到的事物,事件以及现象。我将它们与原本的语境(context)相置换,在另一种情景关系中,展开和表达我的想象和真实感受。经过三年的实践,在从想法到观念,从内容到形式等问题上不断地磨合自己的思维与创作实践之间的关系。从想法到观念的实践,即对某个事物或现象的感受和思考来进行实践,如何进入一种创作状态——对想法的提炼与深化。在实践中揣摩作品的内容与形式:作品内容的视觉表达需要具体的外在形式来做载体,这两者之间如何达到默契。比例中的度:如何接近“正好”这个临界点——是我在艺术创作中常会经历的磨练。作品与观众的互动:作品展出前,我会思考观众看到这个作品时的反应,从而进一步改善作品,尽量可以达到我预期的效果和互动,使得自己的作品能够在和观众交流的同时,也到达自身的完善。
[Abstract]:In the context of my artistic creation practice in the past three years, this paper makes an objective analysis and analysis of its creative ideas and efforts to establish personal concepts as far as possible. The elements I use in writing always come from things, events, and phenomena that can be seen in everyday living space. I replace them with the original context, and in another situational relationship, I unfold and express my imagination and true feelings. After three years of practice, the relationship between thinking and creative practice has been constantly adjusted from ideas to ideas, from content to form. The practice from idea to idea, that is, how to practice the feeling and thinking of something or phenomenon, how to enter a state of creation-to refine and deepen the idea. In practice, it is necessary to figure out the content and form of the work: the visual expression of the content of the work needs the concrete external form as the carrier, and how to reach the tacit understanding between the two. Degree in proportion: how to approach the critical point of "just right"-a practice I often experience in artistic creation. The interaction between the work and the audience: before the work is displayed, I will think about the audience's reaction to the work, so as to further improve the work, and try to achieve the desired effect and interaction, so that my own work can communicate with the audience at the same time. Also reach its own perfection.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J04

【共引文献】