从艺术材料的演变看中国当代艺术的文化身份

发布时间：2018-05-28 12:11

本文选题：当代艺术 + 材料　；参考：《华东师范大学》2010年硕士论文

【摘要】： 伴随着二十世纪科技的巨大发展,人类在思想上也历经了现代主义和后现代主义的洗礼,后者更是以怀疑和重新审视一切事物的态度,对人类的历史和命运作出重新思考。视觉艺术作为人文学科的重要组成部分,在这个图象盛行的时代,为人类社会的发展作出重要贡献。然而,媒介作为艺术的物质载体,其自身的意义也在随时代的发展而不断发展,尤其在当代艺术当中,一切物质材料都有可能成为艺术作品的组成部分。艺术材料范围的无限扩大是与人类观念的转变分不开的,也正是主客观之间的相互作用,使得艺术本体的价值和存在方式再次蜕变,“美”已俨然不再是艺术家追寻的目标。二十世纪还是一个人类文化交流空前频繁的时代,其结果便是外来文化对本土文化的冲击。当然,盲目地崇拜外来文化将使民族自身文化在不同文化的碰撞中丧失主动性,而刻意地因循传统又易于陷入固步自封的状态。基于此,结合对当代艺术自身文化特点的思考,我想中国当代艺术的出发点仍在于对社会的反映,而切入点则在于对各种社会问题的反思和批判。中国作为一个发展中国家,这样的经济基础使得国内的社会问题具有一定的独特性,如人口问题、贫富差距,以及教育体制不健全等等。因此,中国当代艺术的文化身份便在于对社会的“介入”,从而体现一种“当下文化身份”,只是这种“身份”不同于传统的文化身份,不同之处就在于当代艺术的批判态度。
[Abstract]:With the great development of science and technology in the 20th century, human beings have also experienced the baptism of modernism and postmodernism in their thoughts. The latter has reconsidered the history and destiny of mankind with the attitude of doubting and reexamining everything. Visual art, as an important part of humanities, has made great contribution to the development of human society. However, media as the material carrier of art, its own significance is also developing with the development of the times, especially in contemporary art, all material materials may become a part of art works. The infinite expansion of the scope of artistic materials is inseparable from the transformation of human concepts, and it is also the interaction between subjectivity and objectivity, which makes the value and the way of existence of the art Noumenon degenerate again. "Beauty" is no longer the goal pursued by artists. The 20th century is also an era of unprecedented frequent human cultural exchanges, the result of which is the impact of foreign culture on local culture. Of course, blindly worshipping foreign culture will make the nation's own culture lose its initiative in the collision of different cultures, and deliberately follow the tradition and easily fall into a state of self-determination. Based on this, and considering the cultural characteristics of contemporary art, I think the starting point of Chinese contemporary art is still the reflection to the society, and the breakthrough point lies in the reflection and criticism of various social problems. As a developing country, such economic foundation makes China's social problems unique, such as population problem, gap between rich and poor, and imperfect education system. Therefore, the cultural identity of Chinese contemporary art lies in the "intervention" of the society, thus reflecting a "present cultural identity", which is only different from the traditional cultural identity, and the difference lies in the critical attitude of contemporary art.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J120.9

【引证文献】