阿多诺艺术哲学自主性与生态批评范式的耦合共进

发布时间：2018-05-29 16:31

本文选题：阿多诺 + 艺术哲学　；参考：《求索》2016年10期

【摘要】：阿多诺是哲学史上少数几位极重视艺术的哲学家之一。他重新确立了艺术的自律性和他律性结合的本质,指出这种双重结合也是艺术的整体精神特质。他还提出现代艺术在启蒙和资本主义社会的重压下发生异变陷入消亡的危机中,它对作为主体的人造成极大的危害。艺术存在不仅有其本质和整体精神特质,同时也有其具体的精神内涵和构成要素:否定性、理想性和严肃性。阿多诺旨在用"艺术否定社会"来探寻一条审美救赎之路,抗拒资本主义社会的同一性和工具理性,实现人性的解放。现代艺术只有挖掘自身的精神力量,高扬否定性、理想性和严肃性的精神,才能摆脱危机、拯救异化社会,才能使自身从"错误的生活"走向"正确的生活"。在当代艺术呈现出光怪陆离的多元化格局的情况下,阿多诺的艺术精神论为艺术的健康发展提供了有益的参考。
[Abstract]:Adorno is one of the few philosophers in the history of philosophy who attach great importance to art. He re-established the essence of the combination of self-discipline and heteronomy of art, and pointed out that this dual combination is also the whole spiritual characteristic of art. He also proposed that modern art, under the pressure of enlightenment and capitalist society, was in a crisis of extinction, which did great harm to the people as the subject. The existence of art not only has its essence and the whole spiritual characteristic, but also has its specific spiritual connotation and constituent elements: negation, ideality and seriousness. Adorno aims to explore a road of aesthetic redemption with art negating society, resist the identity and instrumental rationality of capitalist society, and realize the liberation of human nature. Only when modern art excavates its own spiritual power and exalts the spirit of negation, ideality and seriousness, can it get rid of the crisis, save the alienated society, and make itself move from "wrong life" to "right life". Under the situation that contemporary art presents a strange and diversified pattern, Adorno's theory of artistic spirit provides a useful reference for the healthy development of art.
【作者单位】：华南理工大学艺术学院;
【基金】：中央高校基本业务费资助项目(x2ysD2134200)
【分类号】：J0-02

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