艺术审美中的意象与意境

发布时间：2018-06-05 21:30

  本文选题：理论文献 + 艺术审美　； 参考：《美术》2017年05期

【摘要】：正在艺术的审美范畴中,"意象"无疑是一个重要的词汇,很多人对"意象"的理解始终较为模糊,因为以"意象"的产生来说,实质上是一个哲学命题。在中国早期的相关理论文献中,"意象"往往和"象"同义,与此一致的是,"意境"也往往和"境"同义。关于"象"的阐释,最早的应该是老子。在老子的观点中,"象"还并不是一种审美形象,它与"气"同为代表宇
[Abstract]:In the aesthetic category of art, "image" is undoubtedly an important word, and many people always have a vague understanding of "image", because in terms of the appearance of "image", it is essentially a philosophical proposition. In the early relevant theoretical literature in China, "image" and "image" often synonymous with "image", in line with this, "artistic conception" is also often synonymous with "context". The earliest interpretation of Xiang should be Laozi. In Laozi's opinion, "Xiang" is not yet a kind of aesthetic image, it is the representative of "Qi" as well.
【作者单位】： 哈尔滨师范大学;
【分类号】：J01
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本文编号：1983466