中国当代艺术中的西方元素及本土独创性

发布时间：2018-06-13 13:54

本文选题：当代艺术 + 西方元素　；参考：《南京艺术学院》2010年博士论文

【摘要】： 20世纪80年代,伴随着中国内地的改革开放,以及西方文化在中国的广泛传播,艺术从“文革”时期仅仅为政治服务的狭隘概念中解放出来。中国当代艺术从这一时期开始起步,并迅速发展。中国的艺术家,尤其是青年艺术家采用“模仿”策略,大量借鉴西方现代艺术中的元素,演绎中国当代艺术。此外,中国当代艺术在发展过程中也结合中国本土文化中的元素,具备本土独创性。从发生学层面来看,中国当代艺术是一部动态的历史。对于正在发生的历史,规律是难以探寻的。因此,本文不探讨当代艺术的发展规律,主要对1989～2009这二十年内中国当代艺术发生、发展过程中的一些重要事件和问题进行梳理和实证分析,通过对艺术家个案研究,找出其与西方元素的对应关系及本土独创性符号,对中国当代艺术二十年作历史性回顾与理论性思考。
[Abstract]:In the 1980s, with the reform and opening up in the mainland of China and the wide spread of western culture in China, art was liberated from the narrow concept of serving politics only during the Cultural Revolution. Chinese contemporary art started from this period and developed rapidly. Chinese artists, especially young artists, use the strategy of "imitation" to learn from the elements of modern western art and deduce Chinese contemporary art. In addition, Chinese contemporary art in the development process also combined with the elements of Chinese local culture, with local originality. From the perspective of genomics, Chinese contemporary art is a dynamic history. It is difficult to find out the regularity of the history that is taking place. Therefore, this article does not discuss the development law of contemporary art, mainly combs and empirically analyzes some important events and problems in the development process of Chinese contemporary art during the 20 years from 1989 to 2009, through the case study of artists. This paper finds out the corresponding relationship with the western elements and the native originality symbol, and makes a historical review and theoretical thinking on the twenty years of Chinese contemporary art.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J120

【引证文献】