“文学审美特征论”:童庆炳文艺美学思想述评

发布时间：2018-06-14 17:23

本文选题：童庆炳 + 意识形态　；参考：《清华大学学报(哲学社会科学版)》2017年03期

【摘要】：童庆炳的"文学审美特征论",有历史的特殊语境和理论资源,有自己的独特思考和重要创新,有现实问题的关切与回应,是20世纪80年代至90年代中国文艺理论领域主流话语之一。本文以《童庆炳文集》十卷本为主要依据,着力梳理童庆炳"文学审美特征论"的缘起、表述及要素,剖析童庆炳"审美"概念的多重涵义、"审美意识形态"的整体内涵及其在文本中的表现形态,旁涉童庆炳对本质论的坚守及其"美是价值"、"美在关系"、艺术美源于"形式对内容的征服"为代表的美本质论,对全面、准确理解童庆炳文艺美学思想及其历史地位具有重要的参考价值。
[Abstract]:Tong Qingbing's "Literary Aesthetic Features" has its own special historical context and theoretical resources, its own unique thinking and important innovations, and concerns and responses to practical problems. It is one of the mainstream discourse in the field of Chinese literature and art theory from 1980's to 90's. Based on the ten volumes of Tong Qingbing's works, this paper tries to sort out the origin, expression and elements of Tong Qingbing's Theory of Literary Aesthetic Features. This paper analyzes the multiple meanings of Tong Qingbing's "aesthetic concept", the overall connotation of "aesthetic ideology" and its manifestation in the text. Tong Qingbing's adherence to the essence theory and its "beauty is value", "beauty is in relation", and art beauty originates from the essence of beauty represented by "conquest of form to content". It has important reference value to understand Tong Qingbing's literary aesthetics and its historical position.
【作者单位】：上海政法学院应用社会科学院;
【基金】：国家社会科学基金后期资助项目《中国现当代美学史》(16FZW052) 上海市哲学社会科学规划课题“20世纪以来中国美学的学科转型与演进历程”(2016BWY012) 2016年上海市“高校服务国家重大战略出版工程”项目“中国美学全史”
【分类号】：I01

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