禅宗“镜喻”的美学意蕴探赜

发布时间：2018-06-15 22:28

本文选题：“镜喻” + 禅宗　；参考：《哈尔滨工业大学学报(社会科学版)》2017年06期

【摘要】：禅宗文化中的"镜喻"现象十分突出,其美学意蕴主要表现在三个方面:其一是禅宗倡导主体拥有清净、空寂的审美心胸;其二是追寻超越有限而直达无限的审美境界;其三是颂扬圆融无碍的人格理想。这种圆融无碍的人格美体现在擅于突破传统观念与日常逻辑的束缚,自觉遵循佛教"破执"的思想;把握"虚"与"实"的辩证关系;秉承"反者,道之动"的哲学思想,明了事物回环往复的变化之理。禅宗喜欢以镜为喻,与镜子自身"清""净""空""明""圆"的特性有助于人们静观修持、回归自性、悟得佛理不无关联。
[Abstract]:The phenomenon of "mirror metaphor" in Zen culture is very prominent, and its aesthetic implication is mainly manifested in three aspects: first, the advocate subject of Zen has a pure and empty aesthetic mind; The third is to celebrate the ideal of a harmonious personality. This unobstructed body of personality is now good at breaking through the shackles of traditional concepts and daily logic, consciously following the Buddhist idea of "breaking through the hold"; grasping the dialectical relationship between "empty" and "real"; and adhering to the philosophical thought of "opposing the person and moving of the Tao." Understand how things change back and forth. Zen like mirror as metaphor, and mirror itself "Qing", "clean", "empty", "Ming" circle "characteristics help people to observe meditation, return to self nature, enlightenment Buddhism.
【作者单位】：武汉大学文学院;
【基金】：国家社科基金重大项目“中国宗教文学史”(15ZDB069)
【分类号】：I01

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