从认识论到实践论：朱光潜美学转向研究

发布时间：2018-06-22 12:10

本文选题：朱光潜 + 美学转向　；参考：《湖南理工学院》2017年硕士论文

【摘要】：朱光潜美学历程存在一种明显的现象:他解放前主要以认识论为基础,建国后逐渐转向实践美学。解放前,他受西方近现代美学影响,引进西方心理学美学,形成认识论倾向;建国后,特别是1950年代“美学大讨论”后,他逐渐转向马克思主义美学,形成精神实践论美学。马克思主义实践观是朱光潜美学转向的关键,对科学和真理的追求是其美学转向的主要动因。朱光潜美学转向主要体现在美的本质论、美感论和艺术论等方面。从美的本质论转向看,他前期认为美在“心与物的关系上”,后期认为美是“主客观的统一”,认识到美是实践的产物,美的本质具有社会性,他从马克思主义美学认识论转向实践美学,跳出了原有的认识论框架。从美感论转向看,他前期认为美感产生于“形象的直觉”,后期认为美感是“人的本质力量对象化”过程中的乐趣,这一转向是他对主客观二元对立局面的突破,认识到美感产生于生产劳动过程中。从艺术论转向看,他前期认为艺术是“意象化的情感”,后期认为艺术是“生产劳动的对象”,随着他对主观认识的消解,艺术创造回归到实践过程中。总体而言,朱光潜美学转向的成功之处在于促进了中国当代美学的发展,尤其是推进了实践美学的发展,但也存在一定的理论局限。
[Abstract]:There is an obvious phenomenon in the aesthetic course of Zhu Guangqian: before his liberation, he was mainly based on epistemology and gradually turned to practical aesthetics after the founding of the people's Republic of China. Before liberation, he was influenced by modern western aesthetics and introduced western psychological aesthetics to form epistemological tendency. After the founding of the people's Republic of China, especially after the great discussion of aesthetics in 1950s, he gradually turned to Marxist aesthetics and formed spiritual practical aesthetics. Marxist view of practice is the key of Zhu Guangqian's aesthetic turn, and the pursuit of science and truth is the main cause of its aesthetic turn. Zhu Guangqian's aesthetic turn is mainly embodied in the essence of beauty, aesthetic sense and art theory. From the point of view of the essence of beauty, he thinks that beauty is "the relationship between mind and object" in the early stage, and that the beauty is "the unity of the subject and the objective" in the latter stage, realizing that beauty is the product of practice and that the essence of beauty is social. From Marxist aesthetic epistemology to practical aesthetics, he jumped out of the original framework of epistemology. From the point of view of aesthetic theory, he thinks that aesthetic feeling comes from "image intuition" in the early stage, and that aesthetic feeling is the fun in the process of "objectification of human essential power" in later stage. This turn is his breakthrough to the dualistic situation of subjective and objective opposition. Realize that aesthetic sense comes from the process of production and labor. From the perspective of art theory, he thinks that art is "the emotion of imagery" in the early stage, and that art is "the object of production and labor" in the latter stage. With the dissolving of his subjective understanding, artistic creation returns to the process of practice. In general, the success of Zhu Guangqian aesthetic turn lies in promoting the development of contemporary Chinese aesthetics, especially the development of practical aesthetics, but there are some theoretical limitations.
【学位授予单位】：湖南理工学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01

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