论狄尔泰美学的生命诉求

发布时间：2018-06-26 00:30

本文选题：狄尔泰 + 生命　；参考：《扬州大学》2010年硕士论文

【摘要】： 威廉·狄尔泰作为19世纪下半叶德国最伟大的哲学家之一,他的思想涉及面极为广泛,可以称得上是一位百科全书式的学者,被人们誉为“19世纪下半叶最重要的思想家”,“人文科学领域里的牛顿”。而在现代西方美学史上,狄尔泰的美学思想具有承前启后、继往开来的重要意义,并对其后的美学研究产生了深远影响。某种程度上可以说,缺乏对狄尔泰美学思想的认识和把握,就不可能正确理解现代西方美学思想和研究的来龙去脉。本论文选取“生命”视角切入狄尔泰美学思想的研究。第一章,首先从词源学的角度对“生命”的内涵进行了分析,指出狄尔泰的生命概念不仅仅是生物学意义上的,它也包括内在精神和心理方面,是社会历史文化中的人类精神生命。另外,在对生命概念初步分析的基础上对其生命美学的三个核心概念,即体验、表达、理解进行微观分析,指出体验是把握生命的方式,表达是彰显生命的途径,理解是生命的进一步探求,并明确了体验表达理解是生命本体的基本关联域。对于狄尔泰来说,诗是与生命的本体联系在一起的,因此在第二章,本论文以“生命”为核心,从诗与生命,诗的审美想象与生命,诗的审美理解与生命三个方面对狄尔泰的生命美学思想做进一步阐释和建构,以更加凸显其美学思想中生命诉求之内涵。第三章,本论文还简要地探讨了狄尔泰生命美学思想对于西方美学特别是对存在主义美学和解释学美学的影响以及对当代中国美学建设所具有的启示性意义,相对于中国的生命美学而言,狄尔泰强调生命的社会性和历史性;相对于中国的实践美学和后实践美学,狄尔泰的生命既是个体性与社会性的有机融合,也是自然性和社会性的统一体,融合了实践美学的社会性和后实践美学的个体性。
[Abstract]:As one of the greatest German philosophers in the second half of the 19th century, William Dilthey was regarded as "the most important thinker of the second half of the 19th century". Newton in the field of humanities. In the history of modern western aesthetics, Dilthey's aesthetic thought has the significance of connecting the past with the future, and has a profound influence on the later aesthetic research. To some extent, it can be said that without the understanding and grasp of Dilthey's aesthetic thought, it is impossible to correctly understand the background of modern western aesthetic thought and research. This thesis chooses the "life" angle of view to cut into the research of Dilthey's aesthetic thought. In the first chapter, we analyze the connotation of "life" from the perspective of etymology, and point out that Dilthey's concept of life is not only biological, but also includes inner spiritual and psychological aspects. It is the life of human spirit in social history and culture. In addition, on the basis of the preliminary analysis of the concept of life, the three core concepts of life aesthetics, namely, experience, expression and understanding, are analyzed microscopically, and it is pointed out that experience is the way to grasp life, and expression is the way to show life. Understanding is the further exploration of life, and it is clear that experiential expression and understanding is the basic relational domain of life ontology. For Dilthey, poetry is connected with the ontology of life. Therefore, in the second chapter, this thesis takes "life" as the core, from poem to life, poetic aesthetic imagination and life. The aesthetic understanding and life of poetry further explain and construct Dilthey's life aesthetic thought in order to highlight the connotation of life appeal in his aesthetic thought. In the third chapter, the thesis also briefly discusses the influence of Dilthey's life aesthetics on western aesthetics, especially on existentialist aesthetics and hermeneutics aesthetics, as well as its enlightening significance to the construction of contemporary Chinese aesthetics. Compared with Chinese life aesthetics, Dilthey emphasizes the sociality and historicity of life, compared with Chinese practical aesthetics and post-practical aesthetics, Dilthey's life is an organic fusion of individuality and sociality. It is also a unity of nature and sociality, which combines the sociality of practical aesthetics and the individuality of post-practical aesthetics.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I01

【引证文献】