冯友兰艺术观研究

发布时间：2018-06-28 21:47

本文选题：冯友兰 + 艺术观　；参考：《辽宁大学》2017年硕士论文

【摘要】：冯友兰以哲学家著称,在哲学上取得了很高的成就。在论述哲学时,冯友兰多次谈及艺术,并从哲学和艺术两个角度进行了阐释,形成了独具特色的艺术观。因此,本文借助冯友兰的相关论著,通过对其作品的深入研究,来阐释他的艺术观。全文由五部分构成:在绪论中,概括指出论文创作的缘由和意义,介绍目前学术界对冯友兰艺术观研究的基本情况。第一章论述冯友兰哲学思想对其艺术观产生的影响。哲学上,冯友兰融汇中西,建立了新理学。新理学的哲学体系深深影响着冯友兰艺术观的形成,这主要表现在三方面:其一,受哲学共相思想影响,艺术观上强调艺术的共相;其二,重视艺术的功能,主张艺术要承担提高人精神境界的使命;其三,要求艺术创作要进于道,把宇宙之道表显出来。第二章阐释冯友兰对艺术作品的相关认识。受新理学确立的“理”思想的影响,冯友兰提出了艺术作品的本然样子,认为艺术之所以存在,是因为宇宙中已有艺术的本然样子。艺术的本然样子是艺术创作和批评的标准。艺术如果能把艺术的本然样子展现出来,这样的艺术就是进于道的艺术,反之,是止于技的艺术。第三章介绍冯友兰对艺术现代化和民族性的理解。冯友兰认为中西文化是两种类型的文化。艺术现代化是西方艺术的“共相”,它要通过文化类型的转变实现。艺术的民族性是文化的“殊相”,它使同一类型中的文化不致于雷同。艺术的现代化发展必须建立在民族性基础之上。新文学应该致力于发展现代化的文学,而不是欧化的文学。第四章从艺术家、作品和读者三个角度探讨冯友兰的艺术境界思想。人生境界理论是冯友兰哲学思想的核心。冯友兰根据艺术家在艺术创作活动中的觉解程度,亦将艺术家的境界分为自然境界、功利境界、道德境界和天地境界四个层次。天地境界是艺术家追求的最高境界,此境界中的艺术家可以使其作品达到天地境界,天地境界的作品,反过来又可以提升读者的境界。
[Abstract]:Feng Youlan is famous as a philosopher and has made great achievements in philosophy. When discussing philosophy, Feng Youlan talked about art many times and explained it from two angles of philosophy and art, forming a unique view of art. Therefore, with the help of Feng Youlan's related works, through the in-depth study of his works, to explain his view of art. The paper is composed of five parts: in the introduction, the author points out the reason and significance of the thesis creation, and introduces the basic situation of the current academic research on Feng Youlan's view of art. The first chapter discusses the influence of Feng Youlan's philosophy on his view of art. In philosophy, Feng Youlan fused Chinese and Western, and established the new Neo-Confucianism. The philosophical system of Neo-Neo-Neo-Confucianism deeply influences the formation of Feng Youlan's view of art, which is mainly manifested in three aspects: first, influenced by the common thought of philosophy, which emphasizes the unity of art; secondly, it emphasizes the function of art. Art should undertake the mission of improving the spiritual realm of man; third, art creation should be advanced into the Tao and manifest the Tao of the universe. The second chapter explains Feng Youlan's understanding of art works. Influenced by the idea of "reason" established by Neo-Confucianism, Feng Youlan puts forward the original appearance of art works, and thinks that art exists because there is already art in the universe. The natural appearance of art is the standard of artistic creation and criticism. If art can show the art as it is, it is the art of the Tao, but the art of the technique. The third chapter introduces Feng Youlan's understanding of art modernization and nationality. Feng Youlan believes that Chinese and Western cultures are two types of culture. Art modernization is the "common phase" of western art, which must be realized through the transformation of cultural types. The nationality of art is the difference of culture, which makes the culture of the same type not the same. The modernization of art must be based on nationality. New literature should be devoted to the development of modern literature, not Europeanized literature. Chapter four discusses Feng Youlan's artistic realm from three angles: artist, work and reader. The theory of life realm is the core of Feng Youlan's philosophy. Feng Youlan divides the artist's realm into four levels: natural realm, utilitarian realm, moral realm and heaven and earth realm according to the understanding degree of artist in artistic creation. The realm of heaven and earth is the highest realm pursued by artists, and the artists in this realm can make their works reach the realm of heaven and earth, the works of the realm of heaven and earth, and in turn promote the realm of readers.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J0

【参考文献】