文革美术研究

发布时间：2018-07-04 12:09

本文选题：文革 + 美术　；参考：《四川音乐学院》2017年硕士论文

【摘要】：文革美术作为中国美术史上的一段特殊时期的美术现象,有着其独特的艺术反思价值,但是由于一些历史的原因并没有引起足够的重视,反而成了中国美术史上的断层,人们对于文革期间美术的状态并不是十分的了解。文革美术鲜明时代特色的背后有着特殊的社会历史原因,我们所做的并不是盲目的嘲讽而是真实的还原,因为一味地修补和编造并不能使人们反思历史,规避同类型的问题。本文通过研究文革美术诸如版画、国画、雕塑、油画等多个美术领域的美术现状展开深层思索,为何艺术会在沉重的压力下被迫排除了其作为特殊意识形态所具有的独立品格。文革美术之所以会具有“高大全”、“红光亮”和千篇一律等时代通病,是因为当时美术严重脱离了艺术发展的应有轨道,美术被严重的扭曲。文革时期政治标准成了评价美术的唯一标准,政治利用艺术作品引导舆论走向,美术在文革时期沦为了政治宣传的工具。通过分析文革美术作品带有典型政治符号的艺术形象进而证明文革美术是对当代美术的一种残害和倒退,这些政治宣传作品成了文革政治运动的传声筒,导致公式化、概念化的作品层次不穷,成为文革美术的典型特征。文革美术既是文化大革命的特殊产物,也是文革的组成部分,文化大革命期间美术遭到了严重的迫害,在违背艺术的规律中几乎使美术失去了本身。本文通过研究文革美术这一特殊时期的状态,认识到文革美术造成的巨大危害。只有做到深刻总结文革美术的惨痛教训,肃清遗毒并警戒世人艺术绝不能再度沦为政治工具和附庸,还艺术以本来面目。艺术发展不受到政治的裹胁,保持其特殊意识形态的独立性,唯有这样艺术才能发展。
[Abstract]:As a special period of art phenomenon in the history of Chinese art, the art of the Cultural Revolution has its unique artistic reflection value. However, due to some historical reasons, it has not attracted enough attention, and on the contrary, it has become a fault in the history of Chinese art. The state of art during the Cultural Revolution was not well understood. There are special social and historical reasons behind the distinctive characteristics of art in the Cultural Revolution. What we do is not blind sarcasm but real restoration, because blindly repairing and fabricating can not make people reflect on history and avoid the same kind of problems. Through the study of the art of the Cultural Revolution, such as print, Chinese painting, sculpture, oil painting and other fields of art, the art of deep thinking, why art will be forced under heavy pressure to exclude its as a special ideology has an independent character. The reason why the art of the Cultural Revolution had the common problems of "tall and complete", "red and bright" and uniform, was that the art was seriously divorced from the track of art development at that time, and the art was seriously distorted. During the Cultural Revolution, the political standard became the only standard for the evaluation of art, and the political use of art works to guide public opinion, art became a tool of political propaganda during the Cultural Revolution. By analyzing the artistic images of the art works of the Cultural Revolution with typical political symbols, it is proved that the art of the Cultural Revolution is a kind of mutilation and retrogression to contemporary art. These political propaganda works have become the voice of the political movement of the Cultural Revolution, leading to formulism. Conceptualization of the works is not poor, become a typical feature of the Cultural Revolution fine arts. The art of the Cultural Revolution is not only the special product of the Cultural Revolution, but also the component of the Cultural Revolution. During the Cultural Revolution, the art was seriously persecuted, and it almost lost itself in the violation of the law of art. By studying the state of art during the Cultural Revolution, this paper recognizes the great harm caused by the art during the Cultural Revolution. Only by profoundly summing up the painful lessons of the art of the Cultural Revolution, clearing away the legacy and warning the world that art must not be reduced to political tools and vassal again, but also art as it is. Art development is not bound by politics and maintains the independence of its special ideology. Only in this way can art develop.
【学位授予单位】：四川音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

【相似文献】