陕西西府社火艺术特色初探
发布时间：2018-07-27 20:27
【摘要】：“社火”是中国民间尤其是西部地区民间艺术中古老的风俗,起源于远古时期的巫术和对图腾崇拜的宗教活动,是对土地和火神崇拜而转变成为一种民间娱乐行为,经过几千年的演变,最终成为西部地区民间艺术中一种独特的表现形式,成为西部地域和丝绸之路上寄托和承载着人们对美好生活期盼、扬善惩恶良好诉求的民间表演艺术。其表现形式、造型意识、人文精神、审美意向等均具有独特的艺术魅力。本文从西府社火艺术特色出发来构建文章框架。一是通过对西府其它民间艺术比如泥塑、年画等的分析,尽可能的详尽阐述西府社火的艺术表现形式与地域民间艺术的精神诉求存在着关联性。二是通过西府社火的色彩特征、审美特征和文化功能多个层面来阐述西府社火艺术形式中所聚含的人文精神内涵,立足于西府社火中寄托了人们对美好生活的向往,以及乐观的精神追求,是文章重点部分。三是将社火中“略貌取神”、“以意设色”、“以意取形”等的文化构成与我的毕业创作相结合,寻求具有学术性与原创性绘画语言的审美定位,以完成对“西府社火”的毕业创作,是文章另一重要的组成部分。
[Abstract]:"Society fire" is an ancient custom in Chinese folk art, especially in the western region. It originated from ancient witchcraft and religious activities of totem worship. It is a kind of folk entertainment behavior transformed from worship of land and god of fire. After thousands of years of evolution, it has become a unique form of expression in the folk art in the western region, and it has become the folk performing art which is sustenance and bearing people's expectation for a better life and promotes the good and punish the evil in the western region and on the Silk Road. Its expression form, modelling consciousness, humanistic spirit, aesthetic intention and so on all have the unique artistic charm. This article starts from the west government society fire art characteristic to construct the article frame. First, through the analysis of other folk arts, such as clay sculpture, New year painting and so on, the paper elaborates in detail that the artistic expression form of the fire in the west government is related to the spiritual appeal of regional folk art. Second, through the color characteristics, aesthetic features and cultural functions of the Xifu Social Fire, the connotation of humanistic spirit in the Xifu Social Fire Art form is expounded, which is based on the people's yearning for a better life in the Xifu Social Fire. As well as optimistic spiritual pursuit, is the key part of the article. The third is to combine the cultural structure of "slightly looking for God", "setting colors with meaning" and "taking shape with meaning" in the social fire with my graduation creation, in order to seek the aesthetic orientation of the language of painting with academic and originality. It is another important part of the article to complete the graduation and creation of "the West House and the Fire of the Society".
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J0
本文编号：2149045
[Abstract]:"Society fire" is an ancient custom in Chinese folk art, especially in the western region. It originated from ancient witchcraft and religious activities of totem worship. It is a kind of folk entertainment behavior transformed from worship of land and god of fire. After thousands of years of evolution, it has become a unique form of expression in the folk art in the western region, and it has become the folk performing art which is sustenance and bearing people's expectation for a better life and promotes the good and punish the evil in the western region and on the Silk Road. Its expression form, modelling consciousness, humanistic spirit, aesthetic intention and so on all have the unique artistic charm. This article starts from the west government society fire art characteristic to construct the article frame. First, through the analysis of other folk arts, such as clay sculpture, New year painting and so on, the paper elaborates in detail that the artistic expression form of the fire in the west government is related to the spiritual appeal of regional folk art. Second, through the color characteristics, aesthetic features and cultural functions of the Xifu Social Fire, the connotation of humanistic spirit in the Xifu Social Fire Art form is expounded, which is based on the people's yearning for a better life in the Xifu Social Fire. As well as optimistic spiritual pursuit, is the key part of the article. The third is to combine the cultural structure of "slightly looking for God", "setting colors with meaning" and "taking shape with meaning" in the social fire with my graduation creation, in order to seek the aesthetic orientation of the language of painting with academic and originality. It is another important part of the article to complete the graduation and creation of "the West House and the Fire of the Society".
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J0
【参考文献】
相关期刊论文 前4条
1 杨丹丹;;近年来国内社火研究综述[J];地方文化研究;2014年06期
2 王春英;;个案探讨宝鸡社火的传承与发展瓶颈[J];当代体育科技;2014年21期
3 屈社明;;宝鸡社火文化研究[J];海峡教育研究;2013年01期
4 薛昌辉;;浅析宝鸡社火的原始宗教信仰和禁忌[J];群文天地;2011年06期
相关博士学位论文 前1条
1 田荣军;社火文化研究[D];西安美术学院;2008年
相关硕士学位论文 前4条
1 姚玉泉;陇州社火脸谱造型和色彩研究[D];西安美术学院;2014年
2 张美荣;西秦社火脸谱艺术特征及其文化内涵初探[D];中国艺术研究院;2012年
3 姚欣杰;宝鸡陈仓黑社火调查研究[D];陕西师范大学;2009年
4 王丹;发现与体验—河南浚县社火表演与我的创作实践[D];东北师范大学;2008年
，本文编号：2149045
本文链接：https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2149045.html
