艺术跨界:美学的危机或生机——以朗西埃对利奥塔的批判为中心
发布时间：2018-08-02 21:29
【摘要】：基于审美自律与社会批判互构的乌托邦传统,不少西方学者对艺术跨界持批评态度,对艺术跨界背景下的美学走向持悲观态度。朗西埃通过反思利奥塔及其所代表的整个后现代"伦理转向",试图激活跨界艺术的政治潜力以重建美学的批判向度。然而,由于对"不可呈现者"与"不可再现者"的混淆,朗西埃没有同情地理解利奥塔崇高美学所打开的感性学指向,其审美政治路线本身也存在一定局限。朗西埃"利奥塔批判"所呈显的洞见与偏失,不仅有助于重审美学与艺术跨界的关系,亦有助于反省审美批判本身的合理性与适用边界。
[Abstract]:Based on the Utopian tradition of aesthetic self-discipline and social criticism, many western scholars hold critical attitudes to the cross boundary of art and pessimistic attitude to the trend of aesthetics in the context of the cross boundary of art. By reflecting on Liotta and his post-modern "ethical turn", Lonsier tries to activate the political potential of cross-border art in order to reconstruct the critical aspect of aesthetics. However, because of the confusion between "the unpresentable" and "the unrepeatable", Lonsier did not understand sympathetically the perceptual point opened up by Liotta's noble aesthetics, and his aesthetic political line itself had its own limitations. Longsier's "Liotta critique" is not only helpful to re-examine the relationship between aesthetics and art, but also to reflect on the rationality and application boundary of aesthetic criticism itself.
【作者单位】： 南京大学文学院;
【分类号】：I01
本文编号：2160795
[Abstract]:Based on the Utopian tradition of aesthetic self-discipline and social criticism, many western scholars hold critical attitudes to the cross boundary of art and pessimistic attitude to the trend of aesthetics in the context of the cross boundary of art. By reflecting on Liotta and his post-modern "ethical turn", Lonsier tries to activate the political potential of cross-border art in order to reconstruct the critical aspect of aesthetics. However, because of the confusion between "the unpresentable" and "the unrepeatable", Lonsier did not understand sympathetically the perceptual point opened up by Liotta's noble aesthetics, and his aesthetic political line itself had its own limitations. Longsier's "Liotta critique" is not only helpful to re-examine the relationship between aesthetics and art, but also to reflect on the rationality and application boundary of aesthetic criticism itself.
【作者单位】： 南京大学文学院;
【分类号】：I01
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