《百年孤独》与《幽灵之家》的女性形象比较分析
发布时间:2018-08-12 19:05
【摘要】: 作为拉美“文学爆炸”代表作的加西亚·马尔克斯的《百年孤独》将人们的视线拉回到了这块曾经被人遗忘的土地。《百年孤独》获得诺贝尔文学奖的同年,伊莎贝尔·阿连德的《幽灵之家》问世,并马上被世人冠上了抄袭《百年孤独》的恶名。仔细阅读过作品的读者都会发现,虽然两部小说都讲述了拉美家族的衰落,人物形象都鲜明生动,也都充满了拉美的神秘气息。可当我们在阅读《幽灵之家》之时,能够强烈地感受到字里行间渗透出来的女性主义气息。阿连德作为一个女性主义作家,从家庭、爱情、事业、社会等多方面为我们呈现了拉美现代女性的全貌。尽管马尔克斯在《百年孤独》中同情女性、肯定女性、赞美女性,可作为一位男权作家,马尔克斯只给我们显露出了微弱的女性主义萌芽。本篇论文将采用女性主义理论,通过“家族母亲的角色呈现”、“女性命运中的爱情元素”以及“走出家庭的社会女性”三个方面来比较分析两部作品里的女性角色,阐述不同时期拉美女性在家庭、社会中的身份角色以及对爱情的态度差异,从而探索出两部作品最大的差异与不同。
[Abstract]:Garc 铆 a Marquez's "100 years of Solitude", as the masterpiece of the Latin American "Literary explosion", drew people's attention back to this once forgotten land. Isabel Allende's House of the Phantom was born and immediately became known as plagiarism. Readers who have read it carefully will find that while both novels tell about the decline of Latin American families, the characters are vivid and full of Latin American mysteries. But when we read the House of the Phantom, we can feel the feminist breath between the lines. As a feminist writer, Allende presents us with a panorama of modern Latin American women in many aspects, such as family, love, career, society and so on. Although Marquez sympathizes with women, affirms women and praises women in "100 years of Solitude", as a patriarchal writer, Marquez only shows us the weak germination of feminism. This thesis will adopt the feminist theory to compare and analyze the female characters in the two works through the following three aspects: the role of the Family Mother, the Love element in the Feminine fate and the Social woman out of the Family. This paper expounds the differences in the roles of Latin American women in the family and society and their attitudes towards love in different periods, and explores the greatest differences and differences between the two works.
【学位授予单位】:浙江大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:I106.4;I0-03
本文编号:2180024
[Abstract]:Garc 铆 a Marquez's "100 years of Solitude", as the masterpiece of the Latin American "Literary explosion", drew people's attention back to this once forgotten land. Isabel Allende's House of the Phantom was born and immediately became known as plagiarism. Readers who have read it carefully will find that while both novels tell about the decline of Latin American families, the characters are vivid and full of Latin American mysteries. But when we read the House of the Phantom, we can feel the feminist breath between the lines. As a feminist writer, Allende presents us with a panorama of modern Latin American women in many aspects, such as family, love, career, society and so on. Although Marquez sympathizes with women, affirms women and praises women in "100 years of Solitude", as a patriarchal writer, Marquez only shows us the weak germination of feminism. This thesis will adopt the feminist theory to compare and analyze the female characters in the two works through the following three aspects: the role of the Family Mother, the Love element in the Feminine fate and the Social woman out of the Family. This paper expounds the differences in the roles of Latin American women in the family and society and their attitudes towards love in different periods, and explores the greatest differences and differences between the two works.
【学位授予单位】:浙江大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:I106.4;I0-03
【引证文献】
相关硕士学位论文 前1条
1 李佳;论《幽灵之家》的女性意识[D];浙江大学;2011年
,本文编号:2180024
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