苏童《碧奴》与阿特伍德《珀涅罗珀记》的比较研究
发布时间：2018-08-19 10:17
【摘要】： “新神话主义”浪潮席卷全球,神话成为世界范围内文化产业的重要推动力和资源。英国坎农格特出版社2005年发起了“重述神话”大型创作出版活动,到目前为止,重庆出版社已经出版的重述神话小说有阿特伍德《珀涅罗珀记》、温森特的《重量》、中国作家苏童的《碧奴》、叶兆言的《后羿》、李锐的《人间》和阿来的《格萨尔王》,重述神话理论著作有阿姆斯特朗的《神话简史》。 玛格丽特·阿特伍德(Margaret Atwood,1939- )是二十世纪加拿大文坛上为数不多的、享有国际盛名的女作家,被誉为“加拿大文学皇后”。阿特伍德始终置身于女性解放运动的浪潮当中,感受着时代的最强音,作品围绕着女性如何认识自我,保护自我的主题立体性延展。《珀涅罗珀记》里,她以精湛的文学技艺戏仿史诗经典《奥德修记》,珀涅罗珀和她的十二个女仆成为话语权的掌控者,颠覆了为人们所熟知的神话故事。小说提出了两个悬而未决的问题:是什么把女仆们推向了绞刑架?珀涅罗珀扮演了何种角色? 苏童(1963- )是中国当代著名作家,他因笔下一系列别具魅力的女性形象而闻名,但简单地用“女性主义”的概念来圈定他的作品又不免有画地为牢的嫌疑。苏童选定“很卡夫卡”的孟姜女传说作为“重述神话”的题材,在这个基础上对简单的故事本身进行神话式的还原,为当今严酷冷峻的时代探讨了一种民间哲学。 两部小说同样是女性题材,女性视角叙事,旨在解构中西方的权威/极权文化,它们存在什么本质的区别呢?本文试图以文本细读的方式,从创作背景和作家选择的写作策略,关照的现实、女性形象的构成和美学追求等四个方面进行比较研究,从而发掘出中外作家在利用神话来解决人类精神信仰危机和严酷冷峻的现实问题的过程中,表现出的中西文化沃土里生长繁衍的智慧,同时反映出不同文学传统内部的矛盾和张力。
[Abstract]:The wave of "neo-mythology" has swept the world, and myth has become an important driving force and resource of cultural industry in the world. In 2005, the Canongate Publishing House launched the "restatement of Myth" large-scale creative publishing campaign, so far, The restated mythology novels published by Chongqing Publishing House include Atwood's the Book of Pernelopper, Vicente's weight, Chinese writer Su Tong's Beno, Ye Zhaoyan's Hou Yi, Li Rui's Man's and Alai's' Gesar'. Wang, a restatement of mythology, includes Armstrong's A brief History of Myth. Margaret Atwoodo (1939-) is one of the few women writers in Canadian literary world in the 20th century, and is known as "Queen of Canadian Literature". Atwood has always been among the waves of the women's liberation movement, feeling the strongest voice of the times, and his works revolve around the theme of how women know themselves and protect themselves. She parodies the epic classic Odysseus with her superb literary skills, and Pernelope and her twelve maids become the masters of discourse, subverting well-known myths. The novel raises two unresolved questions: what has pushed the maids into the gallows? What role did Penelope play? Su Tong (1963-) is a famous contemporary Chinese writer. He is famous for a series of charismatic images of women, but simply using the concept of "feminism" to delineate his works has the suspicion of drawing a circle on the ground as a prison. Su Tong chose the Meng Jiangnv legend of "very Kafka" as the theme of "restatement of mythology". On this basis, he made a mythical restoration of the simple story itself, and explored a kind of folk philosophy for today's harsh and cold times. The two novels are also female themes, female perspective narrative, aimed at deconstructing the authority / totalitarian culture between China and the West, what is the essential difference between them? This paper attempts to make a comparative study of the writing background and writing strategy chosen by the writer, the reality of care, the constitution of the female image and the aesthetic pursuit in the way of careful reading of the text. In order to discover the Chinese and foreign writers in the use of mythology to solve the crisis of human spiritual belief and the harsh cold reality of the process, showing the Chinese and Western culture fertile soil growth and reproduction wisdom, At the same time, it reflects the contradictions and tension in different literary traditions.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I0-03;I106.4
本文编号：2191362
[Abstract]:The wave of "neo-mythology" has swept the world, and myth has become an important driving force and resource of cultural industry in the world. In 2005, the Canongate Publishing House launched the "restatement of Myth" large-scale creative publishing campaign, so far, The restated mythology novels published by Chongqing Publishing House include Atwood's the Book of Pernelopper, Vicente's weight, Chinese writer Su Tong's Beno, Ye Zhaoyan's Hou Yi, Li Rui's Man's and Alai's' Gesar'. Wang, a restatement of mythology, includes Armstrong's A brief History of Myth. Margaret Atwoodo (1939-) is one of the few women writers in Canadian literary world in the 20th century, and is known as "Queen of Canadian Literature". Atwood has always been among the waves of the women's liberation movement, feeling the strongest voice of the times, and his works revolve around the theme of how women know themselves and protect themselves. She parodies the epic classic Odysseus with her superb literary skills, and Pernelope and her twelve maids become the masters of discourse, subverting well-known myths. The novel raises two unresolved questions: what has pushed the maids into the gallows? What role did Penelope play? Su Tong (1963-) is a famous contemporary Chinese writer. He is famous for a series of charismatic images of women, but simply using the concept of "feminism" to delineate his works has the suspicion of drawing a circle on the ground as a prison. Su Tong chose the Meng Jiangnv legend of "very Kafka" as the theme of "restatement of mythology". On this basis, he made a mythical restoration of the simple story itself, and explored a kind of folk philosophy for today's harsh and cold times. The two novels are also female themes, female perspective narrative, aimed at deconstructing the authority / totalitarian culture between China and the West, what is the essential difference between them? This paper attempts to make a comparative study of the writing background and writing strategy chosen by the writer, the reality of care, the constitution of the female image and the aesthetic pursuit in the way of careful reading of the text. In order to discover the Chinese and foreign writers in the use of mythology to solve the crisis of human spiritual belief and the harsh cold reality of the process, showing the Chinese and Western culture fertile soil growth and reproduction wisdom, At the same time, it reflects the contradictions and tension in different literary traditions.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I0-03;I106.4
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