虚设的史观——高友工跨艺术门类建构的“中国抒情美学理论史”
发布时间：2018-08-24 12:48
【摘要】：高友工跨艺术门类建构"中国抒情美学理论史"主要做了两方面工作:一是借鉴余英时的中国文化史的"四次转型"论,历时性梳理中国抒情美学史之萌芽、奠基、实践、综合、式微的流变过程;二是综合历代乐论、文论、书论、诗论、画论共构"一个较完整的中国美典的发展",可谓既历时性地交待了中国抒情美学史的发展轨迹,又共时性地展现中国艺术精神的跨艺术门类版图。但遗憾的是,高友工跨艺术门类建构的"中国抒情美学理论史"却是一个虚构的预设,不仅与其抒情美学理论的相关论述矛盾,这么宏阔的进化论史观根本无力描述中国各艺术门类的发展实际。其洞见与不见都有待学界反思。
[Abstract]:Gao Yougong has done two main works in constructing "the History of Chinese Lyric Aesthetics Theory" across artistic categories: first, drawing lessons from Yu Yingshi's theory of "four transformations" in the history of Chinese culture, combing the germination, foundation, and practice of the history of Chinese lyric aesthetics in a diachronic manner. The second is to synthesize the music theory, literary theory, book theory, poetry theory, and painting theory of the past dynasties to construct "the development of a relatively complete Chinese beauty canon", which can be described as a diachronic account of the development track of Chinese lyric aesthetic history. It also shows the cross-artistic domain of Chinese art spirit. Unfortunately, Gao Yougong's "History of Chinese Lyric Aesthetics Theory", which is constructed across art categories, is a fictional presupposition, which is not only contradictory to the related exposition of his lyric aesthetics theory. Such a broad historical view of evolution can not describe the development of various categories of art in China. Its insight and missing are to be reconsidered by the academic circles.
【作者单位】： 佛山科学技术学院文学院;
【基金】：广东省高校优秀青年教师培养项目“中国抒情传统海外建构研究”(YQ2015166) 广东省教育厅人文社科研究一般项目“台港新儒学美学核心问题研究”(2013WYXM0118) 佛山科学技术学院优秀青年教师培养项目“高友工与中国抒情学的海外建构”(FSYQ-201401)
【分类号】：I01
本文编号：2200867
[Abstract]:Gao Yougong has done two main works in constructing "the History of Chinese Lyric Aesthetics Theory" across artistic categories: first, drawing lessons from Yu Yingshi's theory of "four transformations" in the history of Chinese culture, combing the germination, foundation, and practice of the history of Chinese lyric aesthetics in a diachronic manner. The second is to synthesize the music theory, literary theory, book theory, poetry theory, and painting theory of the past dynasties to construct "the development of a relatively complete Chinese beauty canon", which can be described as a diachronic account of the development track of Chinese lyric aesthetic history. It also shows the cross-artistic domain of Chinese art spirit. Unfortunately, Gao Yougong's "History of Chinese Lyric Aesthetics Theory", which is constructed across art categories, is a fictional presupposition, which is not only contradictory to the related exposition of his lyric aesthetics theory. Such a broad historical view of evolution can not describe the development of various categories of art in China. Its insight and missing are to be reconsidered by the academic circles.
【作者单位】： 佛山科学技术学院文学院;
【基金】：广东省高校优秀青年教师培养项目“中国抒情传统海外建构研究”(YQ2015166) 广东省教育厅人文社科研究一般项目“台港新儒学美学核心问题研究”(2013WYXM0118) 佛山科学技术学院优秀青年教师培养项目“高友工与中国抒情学的海外建构”(FSYQ-201401)
【分类号】：I01
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