从林译《巴黎茶花女遗事》看译入语意识形态和诗学对翻译的影响

发布时间：2018-09-11 10:13

【摘要】： 20世纪70年代,翻译研究开始转向文化因素,它不再仅仅局限于语言层面,而是在文化、社会、历史的宏观语境下进行探讨,开辟了翻译研究的新角度。出现了多种文化学派,其中勒费福尔的改写理论具有特殊地位,他提出一切翻译都是改写,都是操纵,操纵翻译的两大因素是意识形态和诗学,这体现了文化因素在翻译过程中的重要地位。林纾系晚清的文学家,不懂外文,却通过与懂外文的人合作共同翻译。他和他的合作者翻译了180多种著作,是特殊时代的特殊现象。他的第一部译作《巴黎茶花女遗事》就是和王寿昌合作完成的。这部译作一方面,大获成功,风靡海外,再译二十多次,广受欢迎和好评；另一方面,因为他的翻译有着鲜明的“改写”迹象,增补、删节和改动都比较多,而被批评为不忠实的翻译。本文以《巴黎茶花女遗事》作为研究对象,探索意识形态和诗学对翻译造成的影响。译者作为译入语文化群体中的一员,必然会受到译入语文化的影响。因此本文试图从译入语意识形态和诗学入手,使用描述的方法,从历史、文化、社会的角度,结合法文原著和中文译作进行对比研究,分别分析意识形态和诗学对翻译的影响。根据意识形态和诗学这两大因素,本文分为两章：第一章分析影响《巴黎茶花女遗事》翻译的各种意识形态形式以及这些意识形态形式在翻译过程中对翻译产生的影响。第二章分析影响《巴黎茶花女遗事》翻译的诗学以及诗学在翻译过程中对翻译产生的影响。虽然林纾是中国翻译界老生常谈的话题,勒费福尔的改写理论也常被引用,但《巴黎茶花女遗事》作为一部法国小说,却很少被法语研究者结合勒费福尔的理论列专题讲过。因此,本文选取这个主题,结合这两个文本外的因素探讨一些文本中的细节问题,希望可以对翻译研究做一些补充。
[Abstract]:In the 1970s, translation studies began to turn to cultural factors, which were no longer confined to the linguistic level, but were explored in the macro context of culture, society and history, which opened up a new perspective of translation studies. There are many cultural schools, among which Lefefort's rewriting theory has a special status. He puts forward that all translation is rewriting and manipulation. The two major factors of manipulation are ideology and poetics. This reflects the important position of cultural factors in the process of translation. Lin Shu, a late Qing literate, did not understand foreign language, but co-translated with people who knew foreign languages. He and his collaborators translated more than 180 works, a special phenomenon of a special age. His first translation of Paris Camellia is a collaboration with Wang Shouchang. On the one hand, the translation was a great success, and it became popular overseas, with more than 20 re-translations, and was widely welcomed and well received. On the other hand, because his translation showed clear signs of "rewriting," he added, abridged and changed a lot. He was criticized as an unfaithful translator. This paper explores the influence of ideology and poetics on the translation of Paris Camellia. As a member of the target culture group, the translator is bound to be influenced by the target culture. Therefore, this paper attempts to analyze the influence of ideology and poetics on translation from the perspective of history, culture and society, and from the perspective of history, culture and society, starting with the ideology and poetics of the target language. According to the two major factors of ideology and poetics, This thesis is divided into two chapters: the first chapter analyzes the various ideological forms that influence the translation of Paris Camellia and the influence of these ideological forms on translation. Chapter two analyzes the poetics that influences the translation of Paris Camellia and the influence of poetics on translation. Although Lin Shu is a common topic in Chinese translation circles and Lefefort's rewriting theory is often cited, Paris Camellia Legend, as a French novel, is seldom discussed by French researchers in combination with Lefefort's theory. Therefore, this paper chooses this topic and discusses the details of some texts in combination with the factors beyond the two texts, hoping to make some additions to the study of translation.
【学位授予单位】：中南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：H315.9;I046

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