《深谷幽城》对《神曲》艺术的继承和超越
发布时间：2018-09-11 10:22
【摘要】： 阿瓦德的《深谷幽城》是一部当今世界的寓言。被誉为继《百年孤独》之后拉丁美洲文学的又一座丰碑。本文从影响研究角度,研究《深谷幽城》对《神曲》艺术的继承和超越。 本文共分四个部分。 第一部分是阐述《深谷幽城》研究现状与本文的立足点,以整理前人观点和自己的看法。 第二部分是论述《深谷幽城》对《神曲》艺术的继承,分别从空间结构、人物、隐喻三个方面来探究二者在艺术上的继承关系。两部作品中都采用了地狱、炼狱、天堂的三层结构;在人物上哈科沃与但丁的相似;维吉尔和维尔吉尼娅、贝亚德和贝亚特里丝为同一人名。两部作品都采用了隐喻手法,使作品具有广泛的象征意义。 第三部分是《深谷幽城》对《神曲》艺术的超越,从独特的散点结构,多元化的叙事视角,现实主义的回归,人物、结构、结局六个角度入手,通过比较来分析《深谷幽城》对《神曲》艺术的超越。散点结构,多元化的叙事视角,现实主义的运用都是阿瓦德采用现代主义的艺术手法,《神曲》中是不存在的。《深谷幽城》中的人物都是贯穿整个小说的始末,而《神曲》中的人物多是片段的,在诗歌的某个部分出现,只有但丁作为游历者贯穿始终;结构上,《神曲》是单线索的结构方式,《深谷幽城》采用西方十九世纪的网状结构;从结局上看,《神曲》是文艺复兴时期的喜剧,《深谷幽城》是现实的“喜剧”。 第四部分是探究《深谷幽城》继承与超越的意义,一是现实意义;二是文学价值;三是美学意义。
[Abstract]:Awadh's the City of the Deep Valley is a fable in today's world. It is regarded as another monument of Latin American literature after hundred years of Solitude. From the perspective of influence research, this paper studies the inheritance and transcendence of the art of Divine Comedy. This paper is divided into four parts. The first part is to elaborate the present situation of the study and the foothold of this paper in order to sort out the previous views and their own views. The second part discusses the inheritance of Divine songs from the three aspects of spatial structure, characters and metaphors. Both have the three-tier structure of hell, purgatory, and heaven; Jacobo's resemblance to Dante in characters; Virgil and Virginia, Bayard, and Beatrice. Both works adopt metaphorical techniques to make the works have a wide range of symbolic significance. The third part is the transcendence of the art of Divine Comedy, which starts with the unique scattered structure, the diversified narrative perspective, the return of realism, the characters, the structure and the ending. Through comparison, the author analyzes the transcendence of the art of Divine Comedy. Scattered structure, diversified narrative perspective, realism is Awadh's use of modernist artistic techniques, "Divine qu" is non-existent. The characters in "Deep Valley City" run through the whole novel from the beginning to the end. However, most of the characters in Divine qu appear in some part of the poem, only Dante, as a traveller, runs through the whole time, structurally, "Divine Comedy" is a single clue structure, and "Deep Valley City" adopts the network structure of the 19th century in the West. In the end, Divine Comedy is a comedy of Renaissance period, and Deep Valley City is a realistic comedy. The fourth part is to explore the significance of inheritance and transcendence, one is the practical significance, the other is the literary value, and the third is the aesthetic significance.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I106;I0-03
本文编号：2236419
[Abstract]:Awadh's the City of the Deep Valley is a fable in today's world. It is regarded as another monument of Latin American literature after hundred years of Solitude. From the perspective of influence research, this paper studies the inheritance and transcendence of the art of Divine Comedy. This paper is divided into four parts. The first part is to elaborate the present situation of the study and the foothold of this paper in order to sort out the previous views and their own views. The second part discusses the inheritance of Divine songs from the three aspects of spatial structure, characters and metaphors. Both have the three-tier structure of hell, purgatory, and heaven; Jacobo's resemblance to Dante in characters; Virgil and Virginia, Bayard, and Beatrice. Both works adopt metaphorical techniques to make the works have a wide range of symbolic significance. The third part is the transcendence of the art of Divine Comedy, which starts with the unique scattered structure, the diversified narrative perspective, the return of realism, the characters, the structure and the ending. Through comparison, the author analyzes the transcendence of the art of Divine Comedy. Scattered structure, diversified narrative perspective, realism is Awadh's use of modernist artistic techniques, "Divine qu" is non-existent. The characters in "Deep Valley City" run through the whole novel from the beginning to the end. However, most of the characters in Divine qu appear in some part of the poem, only Dante, as a traveller, runs through the whole time, structurally, "Divine Comedy" is a single clue structure, and "Deep Valley City" adopts the network structure of the 19th century in the West. In the end, Divine Comedy is a comedy of Renaissance period, and Deep Valley City is a realistic comedy. The fourth part is to explore the significance of inheritance and transcendence, one is the practical significance, the other is the literary value, and the third is the aesthetic significance.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I106;I0-03
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