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克罗齐美学的矛盾性——从“艺术即表现”谈起

发布时间:2018-10-18 10:56
【摘要】:"艺术即表现"是克罗齐美学的核心论断,他以此证明了艺术的独立性和纯粹性,试图排除一切物理的、概念的、功利和道德的因素对艺术的僭越。然而,在具体阐述过程中,又陷入了其对立面。主要表现在:艺术时而完全独立,时而与其他精神形式相互显现;时而完全是精神的产物,时而又需要借助物理事实进行表现;艺术无等差,但克罗齐还是陷入了经验的区分。这些都反映出克罗齐美学思想存在的矛盾性。这些矛盾既是克罗齐自身的局限所在,也是其思想不断修正的结果,但都可以为我们今天思考艺术的问题提供思路。
[Abstract]:"Art is expression" is the core of Croce's aesthetics, which proves the independence and purity of art and tries to exclude all the factors of physics, concept, utility and morality. However, in the concrete elaboration process, also fell into its opposite. The main manifestations are: art is sometimes completely independent, sometimes it appears with other spiritual forms; sometimes it is the product of spirit, and sometimes it needs to be expressed with the help of physical facts; there is no difference in art, but Croce is still caught in the distinction of experience. All these reflect the contradiction of Croce's aesthetic thought. These contradictions are not only the limitation of Croce itself, but also the result of the constant revision of his thoughts, but they can provide some ideas for us to think about art today.
【作者单位】: 复旦大学中文系;
【分类号】:J01

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1 萧平;;克罗齐美学思想批判[J];内蒙师院学报(哲学社会科学);1963年01期



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