女性主义视角下《伤逝》与《玩偶之家》的研究
发布时间:2018-10-23 17:33
【摘要】: 挪威著名剧作家易卜生的代表作《玩偶之家》与中国作家鲁迅的《伤逝》,在他们各自的国度乃至世界范围内取得了巨大的成就。他们的创作都从某些方面反映出了对女性生存境遇以及女性命运的关注。 本文试图从女性主义视角对比探讨和研究这两部作品。分析两部作品中两位女性形象的个性特征以及生存境遇,探讨不同社会文化背景下的女性意识和觉醒。两位男作家笔下的女性形象有其相似之处,都揭示出了中西文学作品中女性自我意识的觉醒以及与父权社会的对抗。由于父权文化的根深蒂固性,这种对抗往往走向悲剧性的结局。由此可以看出女性是父权社会的牺牲品,子君和娜拉所代表的女性群体始终处于弱势地位,笼罩着失望的情绪。文章通过具体的分析,从而揭示出女性主义视角下解读的文学作品与与社会文化和历史的千丝万缕的联系。最后指出在男权为中心的社会中,女性只有获得经济独立,取得平等的社会地位才能够真正掌握自己的命运。即社会制度的根本变革才是妇女解放的根本出路。 本文导语部分主要是对鲁迅和易卜生的生平及其两部作品的概述,并且提出了本文研究的新视角以及写作目的。第二章是对两部作品的研究现状以及女性主义理论的文献综述。第三章和第四章继而在此理论的指导下以《伤逝》中的子君和《玩偶之家》中的娜拉为具体的出发点,具体地对比分析两位女主人公女性意识形成,抗争以及实现的过程。两位女主人公都具有最初的女性意识,并且敢于追求自己的理想与自由。第五章是全文的总结,在父权社会中东西方女性都面临着相似的境遇,但是在追求个性解放的道路上,由于社会历史背景的不同以及个体的差异,导致女主人公的命运也各不相同。最后希望本文能为以后对比分析这两部作品提供一个新的视角和思路。
[Abstract]:The famous Norwegian playwright Ibsen's masterpiece the House of the Dolls and the Chinese writer Lu Xun's death have made great achievements in their respective countries and even in the world. Their creation reflects the concern of women's living conditions and women's fate in some aspects. This paper attempts to explore and study these two works from the perspective of feminism. This paper analyzes the personality characteristics and living conditions of the two female images in the two works, and probes into the consciousness and awakening of women under different social and cultural backgrounds. The female images of the two male writers are similar and reveal the awakening of female self-consciousness and the confrontation with the patriarchal society in Chinese and Western literary works. Because of the deep-rooted patriarchal culture, this confrontation tends to a tragic outcome. It can be seen that women are victims of patriarchal society, and the female groups represented by Zijun and Nora are always in a weak position and are shrouded in disappointment. Through concrete analysis, this paper reveals the inextricable relationship between literary works and social culture and history from the perspective of feminism. Finally, it is pointed out that in the male-centered society, women can really control their own destiny only if they obtain economic independence and equal social status. That is, the fundamental transformation of the social system is the fundamental way out for women's liberation. In the introduction part, the author summarizes the life of Lu Xun and Ibsen and their two works, and puts forward a new angle of view and the purpose of writing. The second chapter is the research status of the two works and the literature review of feminist theory. The third and fourth chapters, guided by this theory, take Zijun in "the dead" and Nora in "the House of the Dolls" as the concrete starting point, and analyze the process of the formation, struggle and realization of the female consciousness of the two heroines. Both heroines have the initial female consciousness and dare to pursue their own ideals and freedom. The fifth chapter is a summary of the full text. In the patriarchal society, the eastern and western women are faced with similar circumstances, but in the pursuit of personality liberation, due to the different social and historical backgrounds and individual differences, Leading to the heroine's fate is also different. Finally, I hope this paper can provide a new perspective and train of thought for the comparison and analysis of these two works.
【学位授予单位】:西北大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:I0-03;I106
本文编号:2289982
[Abstract]:The famous Norwegian playwright Ibsen's masterpiece the House of the Dolls and the Chinese writer Lu Xun's death have made great achievements in their respective countries and even in the world. Their creation reflects the concern of women's living conditions and women's fate in some aspects. This paper attempts to explore and study these two works from the perspective of feminism. This paper analyzes the personality characteristics and living conditions of the two female images in the two works, and probes into the consciousness and awakening of women under different social and cultural backgrounds. The female images of the two male writers are similar and reveal the awakening of female self-consciousness and the confrontation with the patriarchal society in Chinese and Western literary works. Because of the deep-rooted patriarchal culture, this confrontation tends to a tragic outcome. It can be seen that women are victims of patriarchal society, and the female groups represented by Zijun and Nora are always in a weak position and are shrouded in disappointment. Through concrete analysis, this paper reveals the inextricable relationship between literary works and social culture and history from the perspective of feminism. Finally, it is pointed out that in the male-centered society, women can really control their own destiny only if they obtain economic independence and equal social status. That is, the fundamental transformation of the social system is the fundamental way out for women's liberation. In the introduction part, the author summarizes the life of Lu Xun and Ibsen and their two works, and puts forward a new angle of view and the purpose of writing. The second chapter is the research status of the two works and the literature review of feminist theory. The third and fourth chapters, guided by this theory, take Zijun in "the dead" and Nora in "the House of the Dolls" as the concrete starting point, and analyze the process of the formation, struggle and realization of the female consciousness of the two heroines. Both heroines have the initial female consciousness and dare to pursue their own ideals and freedom. The fifth chapter is a summary of the full text. In the patriarchal society, the eastern and western women are faced with similar circumstances, but in the pursuit of personality liberation, due to the different social and historical backgrounds and individual differences, Leading to the heroine's fate is also different. Finally, I hope this paper can provide a new perspective and train of thought for the comparison and analysis of these two works.
【学位授予单位】:西北大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:I0-03;I106
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