范寿康艺术美学思想探析
发布时间:2018-11-05 18:37
【摘要】:范寿康是20世纪早期我国现代艺术美学思想的重要开拓者人之一,但一直以来缺乏系统的整理和深入的研究。本文以范寿康的艺术美学思想为研究对象,主要探析其艺术美学思想的文化渊源、基本内涵、重要特色,以及对当代艺术理论建设和相关实践的启迪。绪论梳理了范寿康艺术美学思想的研究现状。提出了本文拟着重解决的问题、研究的主要内容、研究的目的和意义,以及研究的基本方法。第一章探讨了范寿康艺术美学思想形成的中西文化渊源。着重梳理了范寿康对于儒家文化中“仁”的吸收以及对康德美学中“无利害性”的借鉴。第二章研析了范寿康艺术美学思想的基本内涵。梳理总结了范氏关于艺术与生命、艺术与人格、艺术与解脱等问题的基本见解。第三章归纳提炼了范寿康艺术美学思想的重要特点。集中聚焦了其崇尚美的情感和回归生命本真这两个突出的方面。第四章总结了范寿康艺术美学思想的当代启思。重点探析了其重视生命情感传达和情智合一的艺术美学观对当今艺术实践的启迪。
[Abstract]:Fan Shoukang is one of the most important pioneers of modern art aesthetics in the early 20th century, but he lacks systematic arrangement and deep research. This article takes Fan Shoukang's artistic aesthetics thought as the research object, mainly analyzes the cultural origin, the basic connotation, the important characteristic of his artistic aesthetics thought, as well as the enlightenment to the contemporary art theory construction and the related practice. Introduction combs Fan Shoukang's art aesthetics thought research present situation. The problems, the main contents, the purpose and significance of the research, and the basic methods of the research are put forward in this paper. The first chapter discusses the origin of Chinese and Western culture of Fan Shoukang's artistic aesthetics. Fan Shoukang's absorption of "benevolence" in Confucian culture and his reference to "no interest" in Kant's aesthetics are emphatically combed. The second chapter analyzes the basic connotation of Fan Shoukang's artistic aesthetics. This paper summarizes Fan's basic views on art and life, art and personality, art and liberation. The third chapter summarizes the important characteristics of Fan Shoukang's artistic aesthetics. It focuses on two outstanding aspects: the emotion of advocating beauty and returning to the true life. The fourth chapter summarizes Fan Shoukang's artistic aesthetics. This paper focuses on the enlightenment of his aesthetic view of art, which attaches importance to the communication of life emotion and the unity of emotion and intelligence, to the art practice today.
【学位授予单位】:浙江理工大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J01
本文编号:2313003
[Abstract]:Fan Shoukang is one of the most important pioneers of modern art aesthetics in the early 20th century, but he lacks systematic arrangement and deep research. This article takes Fan Shoukang's artistic aesthetics thought as the research object, mainly analyzes the cultural origin, the basic connotation, the important characteristic of his artistic aesthetics thought, as well as the enlightenment to the contemporary art theory construction and the related practice. Introduction combs Fan Shoukang's art aesthetics thought research present situation. The problems, the main contents, the purpose and significance of the research, and the basic methods of the research are put forward in this paper. The first chapter discusses the origin of Chinese and Western culture of Fan Shoukang's artistic aesthetics. Fan Shoukang's absorption of "benevolence" in Confucian culture and his reference to "no interest" in Kant's aesthetics are emphatically combed. The second chapter analyzes the basic connotation of Fan Shoukang's artistic aesthetics. This paper summarizes Fan's basic views on art and life, art and personality, art and liberation. The third chapter summarizes the important characteristics of Fan Shoukang's artistic aesthetics. It focuses on two outstanding aspects: the emotion of advocating beauty and returning to the true life. The fourth chapter summarizes Fan Shoukang's artistic aesthetics. This paper focuses on the enlightenment of his aesthetic view of art, which attaches importance to the communication of life emotion and the unity of emotion and intelligence, to the art practice today.
【学位授予单位】:浙江理工大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J01
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