艺术地理——中国当代艺术现象研究

发布时间：2018-12-12 11:26

【摘要】： 艺术地理研究是一个跨学科的研究,它既是新艺术史研究的一个新视角,也是文化地理学的重要分支。本文首先重申地理、空间在艺术研究中的不可或缺的重要历史地位和价值意义,希望平衡时间和历史所主导的实践意识和理论意识,任何历史和时间的进程都必须在一定空间和地理层上展开,两者是不可分割的。文化通常通过一系列特定空间里的形式和活动来获得再现,不同的文化产出于不同的区域从而创造各不相同的富有象征意义的文化景观,作为文化的重要组成部分的艺术,也深深根植于文化景观这一更为坚实的物质基础上。艺术通过创造和想象,对不同的地理景观进行了表现和阐释,展现了多样的富有感情的理解世界的方法,赋予空间关系不同的社会意义,说明了生活的本质和时代的变迁。艺术作为可定位的特定的现象,有着内在的地理学属性,本文将和艺术相关的地理环境和思维结合在“艺术场”结构语境中,揭示了地理空间的结构和所规范的社会行为,说明艺术图像和风格不是孤立和客体的存在,而是与特定地理空间中的行为及思维有着有机的特殊的历史关系。研究中国当代艺术的地理纬度,就是探讨具体地理环境对中国当代艺术家和作品创作产生的重要影响,勾勒出艺术地理景观所蕴含的内在差别及复杂意义。本文以地方意识作为把握不同空间意识结构的基本内核,由宏观的全球、国家、地方三者空间辩证关系对中国当代艺术创作影响的研究,过渡到乡村与城市相对微观的地理空间的研究,并且对北京、上海、广州、成都四个独特城市空间的进行具体分析。希望通过这样递进的地理层次分析,展现不同空间范畴中独特的富有象征性艺术景观,丰富观察的角度和解释的可能性,揭示艺术与地域间的现实情景,使得中国当代艺术研究抛弃种种空洞乏味的抽象性话语的叙述,更具有现实意义和当下性。从而在地理空间中还原艺术生动的整体感,更好的了解全球化背景下中国艺术的身份的根源及其发展方向,对中国艺术未来的良性发展提供参考和借鉴,重建新的文化定位和地域认同。
[Abstract]:The study of art geography is an interdisciplinary study, which is not only a new angle of view in the study of new art history, but also an important branch of cultural geography. This paper first reaffirms the indispensable historical position and value significance of geography and space in art research, and hopes to balance the practical and theoretical consciousness dominated by time and history. The process of any history and time must be carried out in a certain space and geography, the two are inseparable. Culture is usually reproduced through a series of forms and activities in a particular space, and different cultures are produced in different regions to create different symbolic cultural landscapes, the art of which is an important part of culture. Also deeply rooted in the cultural landscape, this more solid material foundation. By creating and imagining, art represents and interprets different geographical landscapes, shows a variety of emotional ways to understand the world, endows space with different social significance, and explains the essence of life and the changes of the times. Art, as a specific phenomenon that can be located, has the inherent geographical attribute. This paper combines the geographical environment and thinking related to art in the structural context of "art field", and reveals the structure of geographical space and the social behavior regulated by it. It shows that artistic images and styles are not isolated and object, but have a special historical relationship with the behavior and thinking in a particular geographical space. To study the geographical latitude of Chinese contemporary art is to explore the important influence of the specific geographical environment on the creation of Chinese contemporary artists and works, and to outline the inherent differences and complex meanings of the artistic geography landscape. This article regards the local consciousness as the basic core to grasp the different spatial consciousness structure, from the macroscopic global, national, local three spatial dialectical relations to the Chinese contemporary artistic creation influence research, The transition to the rural and urban microcosmic geographical space research, and Beijing, Shanghai, Guangzhou, Chengdu four unique urban space for specific analysis. It is hoped that through this progressive geographical level analysis, the unique symbolic artistic landscape in different spatial categories will be displayed, the angle of observation and the possibility of interpretation will be enriched, and the realistic situation between art and region will be revealed. It is of realistic significance and present nature that Chinese contemporary art studies abandon all kinds of empty abstract discourse narration. In order to restore the vivid overall sense of art in geographical space, better understand the origin and development direction of the identity of Chinese art under the background of globalization, and provide reference and reference for the benign development of Chinese art in the future. To re-establish a new cultural identity and regional identity.
【学位授予单位】：华东师范大学
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J120.9

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