“总体”与“断裂”:构筑“可经验”的世界——文学经验生成的外部语境与内在契机
发布时间：2018-12-25 08:52
【摘要】：作为文学研究的一个基本理论问题,文学经验在近十年来的文艺理论界再次成为关注热点,但时下对这一概念的理解和运用是含混、随意的。西方现代经验理论为文学经验提供了入思之基。文学经验就是在话语编织的虚构世界中,对人的经验的审美呈现,而人的经验诞生于感性和虚构两种力量的碰撞、融合。世界的可经验性是文学经验生成的外部语境,它需要文化记忆为其提供"先验"预设和"历史的经验总体"。如此,作家方能获得感受、想象和叙述世界的能力;断裂的眼光则是内在契机,它瞩目于人"感觉结构"的断裂处。这里,固化的感性因子在断裂力量的撕扯下喷薄而出,成为凝集文学经验的内核。而对"感性契机"的捕捉,则是从庸常世界向经验世界过渡的临界点。从美学角度对文学经验本体的研究,对于突破文学理论的"不接地"困境,化解文学创作的诸种危机,意义尤显重大。
[Abstract]:As a basic theoretical problem in literary research, literary experience has once again become the focus of attention in the field of literary theory in the past ten years, but the understanding and application of this concept is vague and arbitrary. The western modern experience theory provides the basis for literary experience. Literary experience is the aesthetic presentation of human experience in the fictional world of discourse weaving, and human experience is born from the collision and fusion of perceptual and fictional forces. The empiricism of the world is the external context in which literary experience is generated, and it requires cultural memory to provide it with a "transcendental" presupposition and a "historical experiential collectivity". In this way, the writer can acquire the ability to feel, imagine and describe the world, and the vision of fracture is an internal opportunity, which focuses on the fracture of human "sensory structure". Here, the perceptual factor of solidification is torn down by the force of fracture and becomes the core of the condensed literary experience. The capture of the perceptual opportunity is the critical point of transition from the mediocre world to the experiential world. The study of literary experience Noumenon from the aesthetic point of view is of great significance for breaking through the dilemma of "ungrounded" literary theory and resolving all kinds of crises in literary creation.
【作者单位】： 江苏第二师范学院文学院;
【基金】：江苏第二师范学院2015年度博士专项基金项目“文学经验论:西方经验美学视域下的文学研究”[项目编号:JSNU2015BZ21] 2017年度江苏省高校哲学社会科学研究基金项目“文学经验的理论、方法与问题研究”[项目编号:2017SJB0553]阶段性成果~~
【分类号】：I0
本文编号：2390958
[Abstract]:As a basic theoretical problem in literary research, literary experience has once again become the focus of attention in the field of literary theory in the past ten years, but the understanding and application of this concept is vague and arbitrary. The western modern experience theory provides the basis for literary experience. Literary experience is the aesthetic presentation of human experience in the fictional world of discourse weaving, and human experience is born from the collision and fusion of perceptual and fictional forces. The empiricism of the world is the external context in which literary experience is generated, and it requires cultural memory to provide it with a "transcendental" presupposition and a "historical experiential collectivity". In this way, the writer can acquire the ability to feel, imagine and describe the world, and the vision of fracture is an internal opportunity, which focuses on the fracture of human "sensory structure". Here, the perceptual factor of solidification is torn down by the force of fracture and becomes the core of the condensed literary experience. The capture of the perceptual opportunity is the critical point of transition from the mediocre world to the experiential world. The study of literary experience Noumenon from the aesthetic point of view is of great significance for breaking through the dilemma of "ungrounded" literary theory and resolving all kinds of crises in literary creation.
【作者单位】： 江苏第二师范学院文学院;
【基金】：江苏第二师范学院2015年度博士专项基金项目“文学经验论:西方经验美学视域下的文学研究”[项目编号:JSNU2015BZ21] 2017年度江苏省高校哲学社会科学研究基金项目“文学经验的理论、方法与问题研究”[项目编号:2017SJB0553]阶段性成果~~
【分类号】：I0
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