论波德莱尔审美现代性思想
发布时间：2019-01-17 15:25
【摘要】： 夏尔·波德莱尔法国象征主义文学的创始人,被誉为现代派的鼻祖。波德莱尔的审美现代性思想是在一个过渡的时代形成的,当时浪漫主义的“庙堂出现了裂缝”,古典主义有抬头之势,唯美主义已经明确地提出了自己的口号,在这样的文艺思潮影响下,波德莱尔形成了自己的审美现代性思想。其审美现代性思想具体表现在审美自律意识、审“丑”意识和时间意识三个方面。波德莱尔打破了自古希腊以来的真善美相统一,认为美与真、善是相分离的,诗歌有其自身目的。波德莱尔坚持“以恶为美”的审美观点,坚持丑中有美,恶就是美。波德莱尔认为现代性是英雄的现时,现代被分割成无数个短暂的瞬时,在瞬时中成就永恒,从流行中提取永恒。围绕着这三个方面,其审美现代性思想表现出三个特色：重艺术而轻自然,重视想象力,对审美“震惊”范畴的建构。对于启蒙现代性,波德莱尔并没有一概地加以肯定,而是意识到了它给现代社会带来的精神危机。与此同时,波德莱尔提出了对抗平庸现实的策略——“以恶为美”,以“震惊”的审美效应来达到对现实的抗争。
[Abstract]:Charles Baudelaire, the founder of French symbolism literature, is regarded as the originator of modernism. Baudelaire's thought of aesthetic modernity was formed in a transitional era. At that time, the Romantic "temple and hall appeared cracks", classicism had the tendency to rise, aestheticism had clearly put forward its own slogan. Under the influence of this trend of thought in literature and art, Baudelaire formed his own thought of aesthetic modernity. His thought of aesthetic modernity is embodied in three aspects: aesthetic self-discipline consciousness, ugly consciousness and time consciousness. Baudelaire broke the unity of truth, goodness and beauty since ancient Greece. Baudelaire adheres to the aesthetic view of "taking evil as beauty" and insists that there is beauty in ugliness, and that evil is beauty. Baudelaire believes that modernity is the present of heroes, and modernity is divided into countless transient moments, in which eternity is achieved, and eternity is extracted from popularity. Around these three aspects, his thought of aesthetic modernity shows three characteristics: attaching importance to art rather than nature, attaching importance to imagination, and constructing the category of aesthetic shock. Baudelaire did not affirm the enlightenment modernity, but realized the spiritual crisis it brought to modern society. At the same time, Baudelaire put forward the strategy of fighting against mediocre reality-"beauty by evil" and "shock" by aesthetic effect to achieve the struggle against reality.
【学位授予单位】：贵州大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I01
本文编号：2410178
[Abstract]:Charles Baudelaire, the founder of French symbolism literature, is regarded as the originator of modernism. Baudelaire's thought of aesthetic modernity was formed in a transitional era. At that time, the Romantic "temple and hall appeared cracks", classicism had the tendency to rise, aestheticism had clearly put forward its own slogan. Under the influence of this trend of thought in literature and art, Baudelaire formed his own thought of aesthetic modernity. His thought of aesthetic modernity is embodied in three aspects: aesthetic self-discipline consciousness, ugly consciousness and time consciousness. Baudelaire broke the unity of truth, goodness and beauty since ancient Greece. Baudelaire adheres to the aesthetic view of "taking evil as beauty" and insists that there is beauty in ugliness, and that evil is beauty. Baudelaire believes that modernity is the present of heroes, and modernity is divided into countless transient moments, in which eternity is achieved, and eternity is extracted from popularity. Around these three aspects, his thought of aesthetic modernity shows three characteristics: attaching importance to art rather than nature, attaching importance to imagination, and constructing the category of aesthetic shock. Baudelaire did not affirm the enlightenment modernity, but realized the spiritual crisis it brought to modern society. At the same time, Baudelaire put forward the strategy of fighting against mediocre reality-"beauty by evil" and "shock" by aesthetic effect to achieve the struggle against reality.
【学位授予单位】：贵州大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I01
【引证文献】
相关硕士学位论文 前1条
1 刘曲;本雅明现代性批判的矛盾性[D];辽宁大学;2011年
，本文编号：2410178
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