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穿越时空的漫步—录像艺术中的时间与空间

发布时间:2019-01-21 11:39
【摘要】:产生于上世纪六十年代的录像艺术以其独特的视觉语言和复杂多元的表达体系在当代艺术中占据着重要的地位,而时间和空间的介入更是丰富了录像艺术表达的视觉语言。录像艺术的语境表达作用于观看者的个人意识,而这种个人意识又从录像艺术的时间性和空间性中产生。时空性不仅在录像艺术作品的主题中反复出现,而且还是录像艺术的本质特征。本文试图以时间和空间为线索来探究录像艺术的时空性特征,再通过具体的案例来分析论述其空间性的四个特征,即装置空间构成、空间的本体、虚拟空间和空间中的身体承载,以及录像艺术时间性的两个阶段:真实的时间和非线性时间,文章最后还构想了录像艺术未来的时空性,以此来探索录像艺术发展趋势的更多可能。
[Abstract]:The video art, which is produced in the 1960s, occupies an important position in contemporary art with its unique visual language and complex and diverse expression system, and the intervention of time and space has enriched the visual language of the video art expression. The contextual expression of the video art acts on the individual consciousness of the viewer, which in turn is produced from the temporal and spatial nature of the video art. Spatio-temporal character is not only repeated in the subject of the video art, but also the essential characteristic of the video art. In this paper, the temporal and spatial characteristics of the video art are explored by time and space, and the four features of the spatial nature of the video are analyzed by the specific case, that is, the device space, the body of the space, the virtual space and the physical bearing in the space, And the two stages of the time nature of the video art: the real time and the non-linear time, the article finally conceived the space-time nature of the future of the video art, so as to explore the more possibility of the development trend of the video art.
【学位授予单位】:湖北美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J5

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本文编号:2412631


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