毕达哥拉斯“数本源”文艺理论研究

发布时间：2019-01-26 08:28

【摘要】：论文研究对象是毕达哥拉斯在文艺理论中有关本体论、认识论、方法论及哲学意识形态的相关思想。论文选题背景源自当下的文学理论(在很大程度上也是一般的文学理论)已经不能积极有效地介入当下的社会文化与审美、艺术活动,不能令人满意地解释改革开放、尤其是1990年代以来文学艺术的生产方式、传播方式以及大众的文化消费方式的巨大变化;而对于新近出现的文艺活动深刻变化的一味回避或拒斥,又反过来强化了文学理论中原有的本质主义倾向。因为文艺理论的构建是关乎文学本质、审美属性、文学功能、文学的内容与形式以及同其它艺术形式的关系等一系列问题的系统工程,故而具有研究的必要性。研究的主要方法包括,从历时维度上对文艺理论的本体研究、思维方式、批评范式等进行分析;对毕达哥拉斯文艺理论进行建构,将之放置于一个更大的时空框架下,深刻认识其哲学观点,进而分析其美学思想。为此在论文的先期部分就先行追溯至古希腊时代,并对在文艺美学思想方面较有代表性的哲学家及其思想进行归纳抽象。在对这些哲学家个性的文艺美学思想的梳理中探查其可能存在的共性成分,进而与毕达哥拉斯进行对比分析,并在哲学的层面上对文学起源、文学思维、文学功能及文学形式等问题初步探讨。研究认为,之所以提出构建这样一种新的文论,其目的还在于对当下的文艺学发展做出相应的答复,因为文学理论教科书在理解文学的性质时存在严重的普遍主义与本质主义的倾向,纠正这种倾向就必须重建文学理论的知识论基础。我们把这个新的知识论基础称之为建构主义。研究结论是,在如今面临多元文化的情景下,构建毕达哥拉斯主义文论理应被看做是一种历史性的结果,事件化的必然之物。毕达哥拉斯主义文论既是限定状态下各种因果关系综合的产物,又是以自身为因果,诱发新的过程的起点。只有不断的适应,不断的创新,文学才具备其源远流长的活力。
[Abstract]:The object of this paper is Pythagoras' thoughts on ontology, epistemology, methodology and philosophical ideology in literary theory. The background of this thesis is derived from the current literary theory (to a large extent, the general literary theory), which has been unable to actively and effectively intervene in the current social culture and aesthetic, artistic activities, and can not satisfactorily explain the reform and opening up. Especially the great changes in the mode of production, communication and mass cultural consumption of literature and art since the 1990s; The avoidance or rejection of the recent profound changes in literary and artistic activities, in turn, reinforces the original essentialism tendency in literary theory. Because the construction of literary theory is related to the nature of literature, aesthetic attributes, literary functions, the content and form of literature and the relationship with other artistic forms, so it is necessary to study. The main methods of the study include the analysis of the Noumenon study, the mode of thinking and the critical paradigm of literary and art theory from the diachronic dimension. This paper constructs Pythagoras' theory of literature and art, puts it in a larger framework of time and space, deeply understands its philosophical point of view, and then analyzes its aesthetic thought. Therefore, in the advance part of the thesis, it goes back to the ancient Greek era, and sums up the representative philosophers and their thoughts in the field of literature and art aesthetics. In the combing of these philosophers' literary and artistic aesthetic thoughts, the author probes into their possible common elements, and then makes a comparative analysis with Pythagoras, and makes a philosophical analysis of the literary origin and literary thinking. A preliminary discussion on the function and form of literature. It is believed that the purpose of constructing such a new literary theory is to make a corresponding reply to the current development of literature and art. Because there is a serious tendency of universalism and essentialism in understanding the nature of literature in the textbooks of literary theory, it is necessary to reconstruct the knowledge basis of literary theory to correct this tendency. We call this new basis of knowledge constructivism. The conclusion is that under the situation of multiculturalism, the construction of Pythagorean literary theory should be regarded as a historical result and an inevitable event. Pythagorean literary theory is not only the product of various causality synthesis under limited condition, but also the starting point of inducing new process by itself. Only by constant adaptation and innovation can literature have its long-standing vitality.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I0

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