20世纪《艺术概论》理论框架发展状况研究

发布时间：2019-02-15 10:22

【摘要】： 本文对20世纪的《艺术概论》首次作全面而系统的整理和研究,在搜集整理中对20世纪我国的艺术基础理论研究状况和出版发行情况予以较为清晰的梳理；并对20世纪《艺术概论》理论框架进行了较为深入系统的分析和研究,全文主要内容为： 1、通过对20世纪《艺术概论》著作文献的分析,阐释了20世纪《艺术概论》经历了一个由译介探索——停滞断裂——复苏繁荣的艰难发展历程,尤其是改革开放后的20年,《艺术概论》蓬勃发展,理论研究逐渐由简单零散转向深化系统。 2、针对20世纪《艺术概论》的编写框架模式作了细致分析,提出了20世纪《艺术概论》理论框架编写模式由“散点式”到“散点—板块式”再到“板块式”的转变,具体地从“章”或“章—点”——“章—节”式——“章—节—点”——“以编统章”大板块和“以章统节”多元板块的转变,使得《艺术概论》理论框架深入系统、主题集中、重点突出。 3、针对20世纪《艺术概论》理论框架的研究,将艺术的本质、艺术的起源和发展以及艺术功用的问题作为“艺术一般”的基础问题看待,用“基础艺术论”来阐释；按照艺术创作、艺术作品、艺术欣赏体现了艺术活动由创作到形成作品再到欣赏接受是一个不可断裂整体的实际,以“艺术整体论”的视角加以审视；艺术的分类及各门类艺术的基础知识及特殊规律的研究是“艺术学”的依托,将其归在“门类艺术论”中阐释。因此,本文提出了从“基础艺术论”“整体艺术论”和“门类艺术论”三大板块来讨论研究20世纪《艺术概论》理论框架的发展状况。本文通过对20世纪《艺术概论》的整理、分析和研究,力求客观地描述艺术学基础理论的发展的历程,对20世纪《艺术概论》所取得的理论成果和存在的问题进行总结,以期为新世纪《艺术概论》研究提供一些有益的借鉴和参考。
[Abstract]:This paper first makes a comprehensive and systematic study on the "introduction of Art" in the 20th century, and in the process of collecting and arranging, it makes a clear combing of the research situation of the basic theory of art and the publication and distribution of the art in China in the 20th century. The theoretical framework of "introduction to Art" in the 20th century has been analyzed and studied systematically. The main contents of this paper are as follows: 1. Through the analysis of the literature of "introduction to Art" in the 20th century, This paper expounds that the introduction of Art in the 20th century has experienced a difficult course of development from translation to introduction-stagnation and breakage-recovery and prosperity, especially in the 20 years since the reform and opening up, the Prospectus of Art has flourished. The theoretical research has gradually changed from simple and scattered to deepening system. 2. This paper makes a detailed analysis on the writing frame model of "introduction to Art" in the 20th century, and puts forward the transition from "scattered point" to "scattered point-plate" to "plate-type" in the theoretical frame writing mode of "art introduction" in the 20th century. Concretely, from the transformation of "chapter" or "chapter-point"-"chapter-section"-"chapter-section-point" -'s transformation of the large plate and the multi-plate of 'Zhang Qijie', so that the theoretical framework of the 'introduction to art' goes deep into the system, Focus on themes and focus. (3) in view of the research of the theoretical frame of the 20th Century's "introduction to Art", the essence of art, the origin and development of art and the function of art are treated as the basic problems of "Art General" and explained by "basic Art Theory". According to art creation, art works, art appreciation reflects the fact that art activity from creation to formation and then to appreciation is an unbreakable whole, which is examined from the perspective of "art holism". The classification of art and the study of the basic knowledge and special laws of various kinds of art are the basis of "art", which is explained in "the theory of art". Therefore, this paper puts forward a discussion on the development of the theoretical framework of "introduction to Art" in the 20th century from the "basic art theory", "the whole art theory" and "the category art theory". Through the arrangement, analysis and research of the introduction of Art in the 20th Century, this paper tries to objectively describe the course of the development of the basic theory of art, and summarizes the theoretical achievements and problems existing in the introduction of Art in the 20th Century. In order to provide some useful reference for the study of art in the new century.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J0

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