细节政治:夏衍和左翼文艺的美学建构

发布时间：2019-02-15 18:48

【摘要】：透过布尔迪亚的"场域观",重新审视夏衍参与和组织的上海左翼文艺运动,特别是电影和戏剧运动,如何在历史场域、政治场域和文艺场域的立体结构之中,以各种文艺团体活动和优秀的创作实绩,形成左翼文艺策略性的美学位置,甚至建立起专属的美学空间。进一步追问的是,夏衍如何在左翼文艺政策的指导和规训下,在战斗文艺和国族论述的诉求下,找到一种政治话语与美学自觉的平衡点,以夏衍式的细节政治美学,参与建构左翼文艺的美学传统。
[Abstract]:Through Boodia's "field view", this paper re-examines how Xia Yan participated in and organized the Shanghai left-wing literary and artistic movements, especially the film and drama movements, in the historical field, political field and the three-dimensional structure of the field of literature and art. With the activities of various literary and artistic groups and outstanding creative achievements, it forms the strategic aesthetic position of left wing literature and art, and even establishes the exclusive aesthetic space. Further questioning is how Xia Yan, under the guidance and discipline of the left-wing literature and art policy, under the demands of fighting literature and art and national discourse, finds a balance between political discourse and aesthetic consciousness, and uses the detailed political aesthetics of the style of Xia Yan. Take part in constructing the aesthetic tradition of left wing literature and art.
【作者单位】：复旦大学中文系;
【分类号】：I01

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