论作者的文学创作期待视野
发布时间：2019-03-04 16:58
【摘要】： 20世纪60年代文学批评出现了的对读者和阅读过程前所未有的关注。评论家针对读者和阅读过程分别提出自己的观点,由此出现一系列的道德的,哲学的,心理的和修辞方面的读者反应分析。由尧斯提出的读者的期待视野是这些读者反应理论当中的一个重要概念。 本篇论文将注意力投向一类特殊的读者——作者,研究他们的阅读活动对于创作的影响,并分析他们在创作过程中的多重身份。参照尧斯的读者的期待视野概念本文试提出作者的创作期待视野的存在。 本篇论文旨在:一,分析创作期待视野的构建以及在写作过程中根据作者不同身份而表现出的不同状态和作用,并讨论文学创新作为与期待视野和作品效果紧相联系的一个评价标准;二,联系相关的读者批评理论提出对文学作为作者、作品和读者的统一整体的认识。 本文认为作者的生活经历以及他在写作过程中所扮演的不同角色、心理活动和创新能力决定了作者的创作期待视野。作者的创作期待视野是带动作者,作品和读者这一文学统一整体实现交互作用并不断螺旋式上升的中心轴。
[Abstract]:In the 1960s, the literary criticism appeared to be more and more concerned with the reader and the reading process. The critics have put forward their own views on the reader and the reading process, and thus a series of moral, philosophical, psychological and rhetorical reader-response analyses have emerged. The expected visual field of the readers, which is proposed by Yao, is an important concept in the theory of the reader's response. This paper will focus on a kind of special reader _ author, to study the influence of their reading activities on the creation, and to analyze how they are in the process of creation Re-identity. With reference to Yao's readers' expectation of view, this paper tries to present the author's expected visual field. The purpose of this thesis is to: one, analyze the construction of the expected visual field and the different states and effects of the author's different identities in the process of writing, and discuss the literary innovation as the one that is closely related to the expected visual field and the work effect. An evaluation criterion; two, the related reader's criticism theory put forward the literature as the author, the work and the reader. The understanding of the unity of the whole. This paper holds that the author's life experiences and his different roles, psychological activities and innovative ability in the process of writing The author's field of view is to bring the author, the works and the reader into a unified whole to realize the interaction.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I06
本文编号：2434446
[Abstract]:In the 1960s, the literary criticism appeared to be more and more concerned with the reader and the reading process. The critics have put forward their own views on the reader and the reading process, and thus a series of moral, philosophical, psychological and rhetorical reader-response analyses have emerged. The expected visual field of the readers, which is proposed by Yao, is an important concept in the theory of the reader's response. This paper will focus on a kind of special reader _ author, to study the influence of their reading activities on the creation, and to analyze how they are in the process of creation Re-identity. With reference to Yao's readers' expectation of view, this paper tries to present the author's expected visual field. The purpose of this thesis is to: one, analyze the construction of the expected visual field and the different states and effects of the author's different identities in the process of writing, and discuss the literary innovation as the one that is closely related to the expected visual field and the work effect. An evaluation criterion; two, the related reader's criticism theory put forward the literature as the author, the work and the reader. The understanding of the unity of the whole. This paper holds that the author's life experiences and his different roles, psychological activities and innovative ability in the process of writing The author's field of view is to bring the author, the works and the reader into a unified whole to realize the interaction.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I06
【引证文献】
相关硕士学位论文 前1条
1 谢晓茵;论接受美学中的类型视野[D];福建师范大学;2012年
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