论中国马克思主义文学批评的民族主体性观
发布时间：2019-03-05 08:30
【摘要】：全球文化交往时代,中国文学和文化需要坚守自身的民族主体性。中国马克思主义文学批评不能固守启蒙现代性的主客二分、绝对内在、纯粹、先验、超历史的本质主体性论,而需要标举一种向他者与历史开放的民族主体性论。民族文化的主体应在民族自我和他者的激荡和融合,进而创造一种新质的过程中确立。民族性既是不同民族文化之间相互区分的结果,也是由民族中人们的文化实践所塑造并处于不停息地转化生成中的东西。由于民族文化的主体性是处于与他者结构关系和具体历史中的,因此它既不拒绝外来文化,也不会固守某种凝滞不变的传统文化,反而推崇中外文化的交流融合和对传统文化的超越创新,主张在创造自身的历史中凸显与他者的差异,在融合他者中推进自身的长足发展。
[Abstract]:In the era of global cultural exchanges, Chinese literature and culture need to adhere to their own national subjectivity. Chinese Marxist literary criticism cannot adhere to the subject-object dichotomy of enlightenment modernity, which is absolutely intrinsic, pure, transcendental and super-historical, but it needs to be marked by a kind of national subjectivity theory which is open to others and history. The subject of national culture should be established in the process of the agitation and amalgamation of national self and others to create a new quality. Nationality is not only the result of the mutual distinction between different national cultures, but also something shaped by the cultural practice of the people in the ethnic group and in the process of continuous transformation. Since the subjectivity of national culture is in the relationship with other people's structure and concrete history, it neither rejects foreign culture nor adheres to some kind of unchangeable traditional culture. On the contrary, it advocates the exchange and fusion of Chinese and foreign cultures and the transcendence and innovation of traditional culture, advocates the difference between others and others in the creation of their own history, and promotes their considerable development in the integration of others.
【作者单位】： 长江师范学院文学院;
【基金】：胡俊飞主持的中国博士后基金面上资助项目“中国马克思主义文学批评民族观的反思与建构”(项目编号:2016M590881) 胡俊飞主持的重庆市社会科学规划(中特理论)重点项目“习近平同志文艺座谈会讲话与马克思主义文艺理论的中国形态建设研究”(项目编号:2016ZDZT19)的阶段性成果
【分类号】：I206
[Abstract]:In the era of global cultural exchanges, Chinese literature and culture need to adhere to their own national subjectivity. Chinese Marxist literary criticism cannot adhere to the subject-object dichotomy of enlightenment modernity, which is absolutely intrinsic, pure, transcendental and super-historical, but it needs to be marked by a kind of national subjectivity theory which is open to others and history. The subject of national culture should be established in the process of the agitation and amalgamation of national self and others to create a new quality. Nationality is not only the result of the mutual distinction between different national cultures, but also something shaped by the cultural practice of the people in the ethnic group and in the process of continuous transformation. Since the subjectivity of national culture is in the relationship with other people's structure and concrete history, it neither rejects foreign culture nor adheres to some kind of unchangeable traditional culture. On the contrary, it advocates the exchange and fusion of Chinese and foreign cultures and the transcendence and innovation of traditional culture, advocates the difference between others and others in the creation of their own history, and promotes their considerable development in the integration of others.
【作者单位】： 长江师范学院文学院;
【基金】：胡俊飞主持的中国博士后基金面上资助项目“中国马克思主义文学批评民族观的反思与建构”(项目编号:2016M590881) 胡俊飞主持的重庆市社会科学规划(中特理论)重点项目“习近平同志文艺座谈会讲话与马克思主义文艺理论的中国形态建设研究”(项目编号:2016ZDZT19)的阶段性成果
【分类号】：I206
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