杜夫海纳论艺术中的再现与表现

发布时间：2019-04-09 17:42

【摘要】： 再现和表现是西方文艺理论的基本问题。一直以来,理论家们从艺术的功能和作者的意图来分析作为艺术本质的再现和表现。再现与表现问题贯穿于杜夫海纳的代表作《审美经验现象学》,是其现象学美学的重要问题。杜夫海纳的论述从艺术作品的构成和欣赏者的审美经验出发,走向了艺术本体论。主题是再现的基本内容,而且正是主题的展开使得作为审美对象的再现世界得以出现。在审美知觉活动中,审美对象从呈现走向再现必须借助想象。审美对象有其再现的世界,再现世界的展开有其独特的方式,再现世界拥有自己独特的时空结构。再现的真实性固然体现在现实性上,但是在任何情况下,再现都无法和现实相媲美。审美对象有一个再现的世界,但是它不是一个自足的世界,必然要走向表现。表现世界作为一个世界有其自身的统一性,仅仅服从情感逻辑的一种内部凝聚力。审美对象表现的世界是一个有深度的意义世界,对其意义的思考必须借助于交感思考。表现世界的真实性包括它是作者世界的真实表现,对于现实来说也是真实的,最根本上来说它表现了一种情感先验。审美对象表现的是一种情感先验,而杜夫海纳认为这种情感先验具有本体论的意义。与其他表现理论不同,杜夫海纳认为,情感特质既是宇宙论现象的先验,又是存在论现象的先验,并且情感先验在宇宙论现象上(艺术作品)和存在论现象上(主体,包括创作者和欣赏者)是同一的,是同一先验的两个侧面,既先于主体,也先于客体;既构成主体,也构成客体。情感先验是存在的一种意义,存在借助于人并通过艺术这种手段将意义揭示出来。人和世界都从属于存在,在存在中达到了统一。
[Abstract]:Reproduction and expression are the basic problems of western literature and art theory. All along, theorists analyze the reappearance and expression of the essence of art from the function of art and the intention of the author. The problem of reproduction and expression runs through Dufheina's representative book phenomenology of aesthetic experience, which is an important issue in his phenomenological aesthetics. Dufheina's exposition proceeds from the composition of artistic works and the aesthetic experience of appreciators, and moves towards artistic ontology. Theme is the basic content of reproduction, and it is the expansion of theme that makes the reappearance world as aesthetic object appear. In aesthetic perceptual activities, aesthetic objects must be visualized from presentation to reproduction. Aesthetic objects have their own reappearance of the world, reproduction of the world has its own unique way of development, reproduction of the world has its own unique space-time structure. The authenticity of reproduction is reflected in reality, but under any circumstances, reproduction can not be comparable to reality. Aesthetic object has a reappearance world, but it is not a self-sufficient world, it must go to performance. The expression of the world as a world has its own unity, only obeys the emotional logic of an internal cohesion. The world represented by aesthetic objects is a world of deep meaning, and the thinking of its meaning must be supported by sympathetic thinking. The authenticity of the expression world includes that it is the real expression of the author's world, and it is also true to the reality, and fundamentally, it shows an emotional priori. Aesthetic objects represent a kind of emotional priori, which Dufhaina thinks has ontological significance. Unlike other theories of expression, Dufheina believes that emotional trait is both a priori of cosmological phenomena and a priori of existential phenomena, and that emotional priors are in cosmological phenomena (works of art) and existential phenomena (subject, Including creators and appreciators) is the same, is the two sides of the same priori, not only before the subject, but also before the object; It constitutes not only the subject but also the object. Emotion priori is a kind of meaning of existence, being reveals meaning by means of man and art. Both man and the world are subordinate to existence and reach unity in existence.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J01

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