后现代艺术接受的断裂化

发布时间：2019-05-27 18:44

【摘要】：接受美学诞生于二十世纪六十年代的德国,它的出现对美学研究产生了深远影响,使得创造与接受都产生了相应的变化和扭转。艺术由创作的阶段,衍生到接受者的层面——出于对接受的考虑开拓了艺术家的视野,引导着艺术创作者们将艺术作品的思路拓宽到接受的环节。然而尽管接受美学作为一个转向的界碑,将人们的视角从创作者的维度扩展到了接受者,接受者与艺术活动创作者之间仍然存在审美差异,使得处于不同角色上的不同人对艺术作品价值产生不同的估量,导致艺术价值的实现不可避免的在接受中不同程度的受挫,这种艺术接受的断裂化现象是本质存在的。为了避免或者说减轻断裂化现象,现代艺术创造者将作品设置为特殊的召唤结构——其中具有典型性的是嵌入性结构和仪式化结构,使得作品在接受环节中召唤观众的参与从而得到完成与延展。然而,这并不意味着断裂化的解决。令人感兴趣的是断裂化现象在蓬勃发展的后现代艺术中出现了新的特点。分析后现代艺术接受的断裂化存在的形态,比较其与现代艺术创作者在接受美学影响下创作思路的异同,并思考其产生的原因为本文研究的主要内容。
[Abstract]:Reception aesthetics was born in Germany in the sixties of the 20th century. Its emergence has had a profound influence on aesthetic research, which has brought about corresponding changes and turns in both creation and acceptance. Art is derived from the stage of creation to the level of recipient-out of consideration of acceptance, it broadens the vision of artists and guides artistic creators to broaden the train of thought of artistic works to the link of acceptance. However, although reception aesthetics, as a boundary pillar of turn, extends people's perspective from the dimension of the creator to the recipient, there are still aesthetic differences between the recipient and the creator of artistic activities. So that different people in different roles have different estimates of the value of works of art, resulting in the realization of artistic value inevitably in different degrees of frustration in acceptance, this phenomenon of artistic acceptance is essential. In order to avoid or reduce the cracking phenomenon, modern art creators set the work as a special summons structure-the typical of which is the embedded structure and the ritualized structure. So that the work in the acceptance link to summon the participation of the audience to be completed and extended. However, this does not mean a solution to cracking. What is interesting is that the phenomenon of cracking has emerged new characteristics in the booming post-modern art. This paper analyzes the existing form of post-modern art acceptance, compares its creative ideas with modern art creators under the influence of reception aesthetics, and thinks about the reasons for its emergence as the main content of this paper.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J110.95

【共引文献】