民国前期工艺美术家职业取向模糊化之原因——以1929年全国美展工艺美术家作品为例
发布时间：2019-06-12 10:20
【摘要】：1929年教育部全国美展工艺美术家出品涵盖面极广,然而从展品的缺乏创新可管窥此际工艺美术发展的危机。参展工艺美术家表现出的职业取向模糊化趋势与这种危机互为因果。工艺美术家对自身专业身份的不认同,肇因于工艺美术学科之范畴的模糊,也源于工业化发展所造成的手工艺"去主体"倾向和传统社会"重道轻技"的观念惯性。
[Abstract]:In 1929, the Ministry of Education produced a wide range of arts and crafts at the National Art Exhibition. However, from the lack of innovation of the exhibits, we can see the crisis of the development of arts and crafts. The trend of vagueness of professional orientation shown by exhibitors and craftsmen is a cause and effect of this crisis. The disapproval of craftsmen to their professional identity is due to the ambiguity of the category of arts and crafts, as well as the tendency of "removing the subject" of handicrafts caused by the development of industrialization and the inertia of the concept of "emphasizing and neglecting skills" in traditional society.
【作者单位】： 南京艺术学院美术学院;
【基金】：教育部一般项目“器、用、道的变革史——中国近现代美术的材料、制度及精神研究”(项目编号:11YJC760066)阶段成果
【分类号】：J120.9
本文编号：2497939
[Abstract]:In 1929, the Ministry of Education produced a wide range of arts and crafts at the National Art Exhibition. However, from the lack of innovation of the exhibits, we can see the crisis of the development of arts and crafts. The trend of vagueness of professional orientation shown by exhibitors and craftsmen is a cause and effect of this crisis. The disapproval of craftsmen to their professional identity is due to the ambiguity of the category of arts and crafts, as well as the tendency of "removing the subject" of handicrafts caused by the development of industrialization and the inertia of the concept of "emphasizing and neglecting skills" in traditional society.
【作者单位】： 南京艺术学院美术学院;
【基金】：教育部一般项目“器、用、道的变革史——中国近现代美术的材料、制度及精神研究”(项目编号:11YJC760066)阶段成果
【分类号】：J120.9
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