论公共艺术的在地性
发布时间：2019-07-03 20:24
【摘要】：艺术的"在地性"一直是公共艺术中的焦点问题。在地性观念旨在强调艺术与场所之间既改变、又适应的辩证关系。本文通过三个典型案例的分析,逐层论证了三种公共艺术品的展示类型:透明型、割裂型与辩证型。如果公共艺术的价值是参与地方身份的建构,促进民主的抗议,那么,卡斯塔尼亚的在地性观念更能胜任这一使命。因为它既响应了地方精神,延续了特定场所的历史文脉,又加入了原创性因素,重构了地方共同体的身份。
[Abstract]:The nature of art has always been the focus of public art. The concept of local nature aims to emphasize the dialectical relationship between art and place. Through the analysis of three typical cases, this paper demonstrates the display types of three kinds of public works of art layer by layer: transparent type, split type and dialectical type. If the value of public art is to participate in the construction of local identity and promote democratic protest, then Castania's local concept is more competent for this mission. Because it not only responds to the local spirit, continues the historical context of a specific place, but also adds original factors to reconstruct the identity of the local community.
【作者单位】： 南京大学艺术研究院;
【分类号】：J05
，
本文编号：2509643
[Abstract]:The nature of art has always been the focus of public art. The concept of local nature aims to emphasize the dialectical relationship between art and place. Through the analysis of three typical cases, this paper demonstrates the display types of three kinds of public works of art layer by layer: transparent type, split type and dialectical type. If the value of public art is to participate in the construction of local identity and promote democratic protest, then Castania's local concept is more competent for this mission. Because it not only responds to the local spirit, continues the historical context of a specific place, but also adds original factors to reconstruct the identity of the local community.
【作者单位】： 南京大学艺术研究院;
【分类号】：J05
，
本文编号：2509643
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