《半身》和《别名格雷斯》中的女性哥特特质
发布时间：2022-01-14 15:25
艾伦·莫尔斯撰写的《文学女性》将女性主义引入了哥特文学领域,并形成了一种崭新的文学批评流派,称为女性哥特主义,性别研究的一个重大突破。本文将从女性哥特主义的视角来解读莎拉·沃特斯的《半身》和玛格丽特·阿特伍德的《别名格雷斯》。尽管两位作家来自不同的国家,但她们都把小说设定在19世纪,并同时采用了女性哥特文学体裁。英国当代作家莎拉·沃特斯以三本女同性恋小说而闻名,这三部女同性恋小说被誉为“维多利亚三部曲”。她的第二部小说《半身》讲述了两个女同性恋主人公之间的故事,获得了多个奖项。加拿大当代作家玛格丽特·阿特伍德一直从事于女性主义创作,她的小说《别名格雷斯》重现了历史上一个著名的谋杀案。在细读《半身》和《别名格雷斯》的基础上,本论文将研究两部小说共有的女性哥特元素,并探讨两位作家在父权制背景下运用它们的目的。本论文由五个部分组成。第一部分介绍女性哥特主义,即论文的理论基础。第二部分将介绍这两部小说和两位作家。第三部分分析两部小说中的三种女性哥特元素:密室、监狱、疯人院以及牢房等阴暗的环境设定。它们象征着父权制对“疯癫”女性的惩罚,透露了女性的绝望;超自然现象的描写,鬼魂、招魂说和催眠主义反...
【文章来源】：广东外语外贸大学广东省
【文章页数】：64 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION ABOUT GOTHIC AND FEMALE GOTHIC NOVELS
1.1 The Origin and Evolving of Gothic Novel
1.2 The Origin and Characteristics of Female Gothic Novel
1.3 Distinctions between Gothic Novel and Female Gothic Novel
1.4 Present Studies of Female Gothic
CHAPTER TWO INTRODUCTION ABOUT AFFINITY AND ALIAS GRACE
2.1 Introduction about the Two Authors and Two Novels
2.1.1 Introduction of Sarah Waters and Affinity
2.1.2 Introduction of Margaret Atwood and Alias Grace
2.1.3 Literature Review of Affinity
2.1.4 Literature Review of Alias Grace
2.2 The Significance of Female Gothic Studies for Affinity and Alias Grace
2.2.1 Requisite Conventions of Female Gothic in the Two Novels
2.2.2 Unemployed Perspective of Female Gothic
CHAPER THREE GOTHIC ELEMENTS IN AFFINITY AND ALIAS GRACE
3.1 Natural Environment
3.1.1 The Millbank Prison and Confined Chamber in Affinity: the Confinement and Oppression of Dawes and Prior
3.1.2 The Lunatic Asylum and Gloomy Cell in Alias Grace:the Imprisonment and Persecution of Grace
3.2 Supernatural Occurrence
3.2.1 Seance and Spiritualism in Affinity
3.2.2 Ghosts and Neuro-hypnotism in Alias Grace
3.3 Oppressive Male Roles
3.3.1 Dictatorial Heroes in Affinity
3.3.2 Hypocritical and Diabolical Villainies in Alias Grace
CHAPTER FOUR FEMALE GOTHIC MOTIFS OF TWO NOVELS
4.1 Gothic Heroines’Resistance of Patriarchal Oppression
4.1.1 Dawes’Escaping from the Prison in Affinity
4.1.2 Prior’s Jumping into the River to Commit Suicide in Affinity
4.1.3 Grace’s Quilting in Alias Grace
4.2 Reconstruction of Female Subjectivity
CHAPTER FIVE CONCLUSION
WORKS CITED
【参考文献】：
期刊论文
[1]论女性主体意识[J]. 杨永忠,周庆. 中华女子学院山东分院学报. 2010(04)
[2]玛格丽特·阿特伍德与“百衲被”[J]. 袁霞. 当代外国文学. 2009(03)
[3]互文性与后现代的真实观——阿特伍德的《别名格雷斯》研究[J]. 柯倩婷. 国外文学. 2007(02)
[4]从《别名格雷斯》看阿特伍德的逃生哲学[J]. 潘守文. 北京第二外国语学院学报. 2006(10)
[5]西方女性哥特研究——兼论女性主义性别与体裁理论[J]. 林斌. 外国语(上海外国语大学学报). 2005(02)
[6]追问女性的生存状态——论玛格丽特·阿特伍德的新作《别名格雷斯》[J]. 郭英剑. 国外文学. 2000(01)
硕士论文
[1]“附体”意象的文化溯源和文学解读[D]. 董珊珊.广西师范大学 2007
本文编号：3588748
【文章来源】：广东外语外贸大学广东省
【文章页数】：64 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION ABOUT GOTHIC AND FEMALE GOTHIC NOVELS
1.1 The Origin and Evolving of Gothic Novel
1.2 The Origin and Characteristics of Female Gothic Novel
1.3 Distinctions between Gothic Novel and Female Gothic Novel
1.4 Present Studies of Female Gothic
CHAPTER TWO INTRODUCTION ABOUT AFFINITY AND ALIAS GRACE
2.1 Introduction about the Two Authors and Two Novels
2.1.1 Introduction of Sarah Waters and Affinity
2.1.2 Introduction of Margaret Atwood and Alias Grace
2.1.3 Literature Review of Affinity
2.1.4 Literature Review of Alias Grace
2.2 The Significance of Female Gothic Studies for Affinity and Alias Grace
2.2.1 Requisite Conventions of Female Gothic in the Two Novels
2.2.2 Unemployed Perspective of Female Gothic
CHAPER THREE GOTHIC ELEMENTS IN AFFINITY AND ALIAS GRACE
3.1 Natural Environment
3.1.1 The Millbank Prison and Confined Chamber in Affinity: the Confinement and Oppression of Dawes and Prior
3.1.2 The Lunatic Asylum and Gloomy Cell in Alias Grace:the Imprisonment and Persecution of Grace
3.2 Supernatural Occurrence
3.2.1 Seance and Spiritualism in Affinity
3.2.2 Ghosts and Neuro-hypnotism in Alias Grace
3.3 Oppressive Male Roles
3.3.1 Dictatorial Heroes in Affinity
3.3.2 Hypocritical and Diabolical Villainies in Alias Grace
CHAPTER FOUR FEMALE GOTHIC MOTIFS OF TWO NOVELS
4.1 Gothic Heroines’Resistance of Patriarchal Oppression
4.1.1 Dawes’Escaping from the Prison in Affinity
4.1.2 Prior’s Jumping into the River to Commit Suicide in Affinity
4.1.3 Grace’s Quilting in Alias Grace
4.2 Reconstruction of Female Subjectivity
CHAPTER FIVE CONCLUSION
WORKS CITED
【参考文献】：
期刊论文
[1]论女性主体意识[J]. 杨永忠,周庆. 中华女子学院山东分院学报. 2010(04)
[2]玛格丽特·阿特伍德与“百衲被”[J]. 袁霞. 当代外国文学. 2009(03)
[3]互文性与后现代的真实观——阿特伍德的《别名格雷斯》研究[J]. 柯倩婷. 国外文学. 2007(02)
[4]从《别名格雷斯》看阿特伍德的逃生哲学[J]. 潘守文. 北京第二外国语学院学报. 2006(10)
[5]西方女性哥特研究——兼论女性主义性别与体裁理论[J]. 林斌. 外国语(上海外国语大学学报). 2005(02)
[6]追问女性的生存状态——论玛格丽特·阿特伍德的新作《别名格雷斯》[J]. 郭英剑. 国外文学. 2000(01)
硕士论文
[1]“附体”意象的文化溯源和文学解读[D]. 董珊珊.广西师范大学 2007
本文编号：3588748
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