论《曼波王弹奏情歌》中散居者的文化身份模式
发布时间:2018-01-02 16:13
本文关键词:论《曼波王弹奏情歌》中散居者的文化身份模式 出处:《湘潭大学》2014年硕士论文 论文类型:学位论文
更多相关文章: 奥斯卡·西于罗斯 《曼波王弹奏情歌》 散居者 文化身份模式
【摘要】:奥斯卡·西于罗斯(Oscar Hijuelos,1951-2013)是当代美国古巴裔的重要代表作家。他的《曼波王弹奏情歌》发表于1989年,,成为第一部获得普利策小说奖的西语裔文学作品。该小说不仅再现了二十世纪四五十年代美国纽约的曼波音乐热潮,同时也揭示了古巴散居者的生存困境以及他们所面临的文化身份认同问题。 本文从流散视角出发,借鉴斯图亚特·霍尔关于散居者的文化身份的理论,通过分析《曼波王弹奏情歌》中以卡斯特罗兄弟及阿纳兹为代表的三种不同类型的文化身份认同模式,说明在跨文化语境下杂糅文化身份模式对散居者的重要意义,对美国少数族裔散居者的文化身份问题有一定的参考价值。 本文探讨小说中古巴散居者赛萨尔,内斯特及阿纳兹各自不同的文化身份模式,即美国化的文化身份,古巴文化身份和杂糅的文化身份。第一部分分析塞萨尔通过对英语的掌握和接受以消费主义和个人主义为代表的美国文化价值观来建构美国化的文化身份,说明塞萨尔全盘美国化的文化身份是使他逐渐被美国意识同化,忘却自己原有的文化之根,并最终导致其身份认同危机的根本原因。第二部分分析内斯特在种族歧视和文化冲突的情境下,选择认同原有的文化传统,在古巴音乐,古巴食物和古巴回忆中培育自己被割断的文化之根,说明内斯特的古巴文化身份是他无法融入美国社会并逐渐被边缘化的深层原因。第三部分分析阿纳兹流动的角色和其文化身份中两种文化的共存以及他对两种文化之间差异和冲突的协调,说明阿纳兹杂糅的文化身份使他在融入美国社会的同时保持其原有的文化特性。在小说最后,内斯特之子欧金尼奥通过反思其父辈的三种不同文化身份,内化了杂糅文化身份的内涵,找到了适合在美国生活的文化身份模式。小说结尾中,哥哥赛萨尔的心跟随弟弟内斯特的心一齐飞向远方,象征着两种文化的最终融合,从而升华了主题,寓示着杂糅文化身份的生成。 本文基于对《曼波王弹奏情歌》中古巴散居者的文化身份模式的探讨,认为西于罗斯提倡的是一种流动的,杂糅的文化身份观。杂糅的文化身份对古巴散居者融入美国文化的同时保持原有的古巴文化具有重要的意义。卡斯特罗兄弟面临的文化身份问题具有典型性,这也为古巴裔和其他少数族裔流散族群在全球化背景下的文化身份建构提供一定启示。
[Abstract]:Oscar Siuros (Oscar Hijuelos 1951-2013) is an important representative writer of American contemporary Cuban. His "Mambo King playing songs > published in 1989, became the first Pulitzer prize for fiction of the Hispanic Literature. The novel not only represent the United States in 40s and 50s twentieth Century in New York the Mambo craze, but also reveals the plight of the Cuban diaspora the culture and identity issues they face.
This article from the diaspora perspective, referring to Stuart Hall about diaspora cultural identity theory, through the analysis of "Mambo King played three different types of cultural identity to the Castro brothers and Arnaz as the representative of the song", shows the importance of a hybridized cultural identity model in cross cultural context of the Diaspora and cultural identity scattered on American minority who have a certain reference value.
This paper discusses the novel in the Cuban diaspora cultural identity Caesar, Nestor and Arnaz different modes, namely American cultural identity, cultural identity and the hybrid cultural identity. The first part is the analysis of Cesar's concept of constructing American cultural identity through mastery of English and to accept consumerism and individualism as the representative of American culture the value of the overall United States that Cesar's cultural identity is so that he gradually assimilated American consciousness, forget their original cultural roots, and ultimately cause the identity crisis. The second part is the analysis of Nestor in racial discrimination and cultural conflict situation, choose to accept the original cultural tradition, in the music of Cuba, Cuba Cuba food and memories to cultivate their own severed cultural roots, Nestor's Cuban cultural identity is he unable to integrate into the United States Agency Will gradually be marginalized and deep reasons. The third part analyzes the coexistence of two kinds of culture and the cultural identity of the characters and Arnaz flow he coordinated between the two kinds of cultural differences and conflicts, that Arnaz hybrid cultural identity enabled him to maintain its original cultural characteristics at the same time into American society at the end of the novel. Nestor, the son of Eugenio through three different cultural identity of their parents, internalize the connotation of hybridized cultural identity, find the suitable cultural identity mode of life in the United States. At the end of the novel, his brother Caesar's heart to follow brother Nestor's heart with flying far away, symbolizing the final integration of the two cultures, and sublimation theme generation implies a hybridized cultural identity.
This paper discusses the cultural identity of "Mambo king song playing mode > in Cuban diaspora based on Ross think the West advocate is a flow of the mixed cultural identity has important significance. Hybrid cultural identity of the Cuban diaspora into American culture while maintaining the original Cuban culture cultural identity. The Castro brothers are typical, it also provide some enlightenment for the Cuban diaspora and other minorities in the context of globalization and cultural identity.
【学位授予单位】:湘潭大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:I712.074
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相关期刊论文 前3条
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