论村上春树小说中主人公的“自我意识”

发布时间：2018-01-10 07:05

本文关键词：论村上春树小说中主人公的“自我意识”　出处：《辽宁师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：村上春树是日本当代的著名作家，从上个世纪七十年代开始便在日本文坛崭露头角，之后村上春树的作品传入世界各国，不论在亚洲还是欧洲都有一批“村上春树迷”，不同程度地掀起了一股村上春树热。村上春树的作品风格独特，既继承了日本传统物哀的基调，又融合了西方现代主义的创作特色。村上春树的青年时代正是日本经济起伏的年代，经济急速的上升和下降使日本人尤其是青年人的心理产生了极大的落差，所以村上春树特别关注青年一代的精神世界。对于青年一代“自我意识”的解读是村上春树小说探索青年一代精神世界的一个重要主题。“自我意识”就是以“自我”为对象进行的一系列思考，本文将村上春树小说中所表达的“自我意识”为研究对象，分析村上春树小说中主人公“自我意识”的“自我”内涵和表达手法，，以及“自我意识”所透露出的哲学意味，最后从社会、作家等背景入手简单地解读村上春树小说的“自我意识”产生的原因。在村上春树的小说中主人公往往是一个一个孤独存在的个体，而且主人公的感受也是孤独的，从这两个方面突出“自我”作为主体存在形式的这一内涵。除此之外，村上春树小说中的“自我”还具有作为主体存在意义的这方面内涵。这一内涵的体现并不是通过具体意义的描述来表达的，而是通过意义的缺失体现出来的。村上春树小说中“自我”意识的表达主要是通过对“自我”的迷失、“自我”的找寻、“自我”的束缚以及“自我”的回归这一系列探索模式的讨论反映出来的，而且在表达方法和作品主题上融入了西方文学的一些元素。此外，第一人称的写作视角也是村上春树表达“自我意识”的一个重要手法。村上春树对于“自我”的关注并不是单纯地停留在文学的角度，而是具有一定的哲学意义。首先村上春树小说中的“自我意识”与西方的“存在主义”有一定的联系；其次村上春树小说中的“自我”意识也具有一定的辩证意义，“自我”的双重内涵是对立统一的关系。村上春树之所以对“自我”如此的关注并不是偶然，而是有其多方面的原因，本文将从日本当代经济政治对村上春树“自我意识”的影响、村上春树对于日本近代“自我意识”的继承，还有作家自身的经历这三个方面进行挖掘阐释。
[Abstract]:Haruki Murakami is a famous contemporary Japanese writer. Since -30s, Murakami's works have come to the fore in the Japanese literary world, and later his works have been introduced to all countries all over the world. Whether in Asia or Europe, there are a number of "Murakami Spring Tree fans", which to varying degrees set off a wave of Murakami Spring Tree craze. Murakami's work style is unique, both inheriting the tone of mourning in Japan. Haruki Murakami's youth was precisely the era of Japanese economic ups and downs, the rapid rise and decline of the economy made the Japanese, especially the young people, a great psychological gap. Therefore, Murakami pays special attention to the spiritual world of the younger generation. The interpretation of the "self-consciousness" of the younger generation is an important theme in Murakami's novels to explore the spiritual world of the young generation. A series of reflections on the object of "self". This paper takes the "self-consciousness" expressed in Murakami's novels as the research object, and analyzes the connotation and expression technique of the protagonist's "self-consciousness" in Murakami's novels. And the philosophical implications of "self-consciousness", finally from the society. From the background of writers, we can simply explain the causes of Murakami's "self-consciousness" in his novels, in which the protagonist is often a lonely individual. And the protagonist's feeling is also lonely, from these two aspects outstanding "self" as the main body existence form this one connotation. In addition. The "ego" in Murakami's novels also has the connotation of the meaning of existence as the subject, which is not expressed by the description of the specific meaning. The expression of "self" consciousness in Murakami's novels is mainly through the loss of "self" and the search for "self". The bondage of the "self" and the return of the "self" are reflected in the discussion of a series of exploration modes, and some elements of western literature are incorporated in the expression method and the theme of the work. The first person's perspective of writing is also an important way for Murakami to express "self-consciousness". Murakami's concern for "self" is not simply a literary point of view. First of all, the "self-consciousness" in Murakami's novels has a certain connection with "existentialism" in the West. Secondly, the consciousness of "self" in Murakami's novels also has certain dialectical significance, the dual connotation of "ego" is the relation of unity of opposites, and it is no accident that Murakami pays so much attention to "self". But there are many reasons, this article will be from the contemporary Japanese economic and political impact on Murakami's "self-consciousness", Murakami's inheritance of modern Japanese "self-consciousness". There are three aspects of the writer's own experience.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074

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