《爱的强盗》中美籍菲律宾裔流动文化身份的建构

发布时间：2018-01-16 23:33

本文关键词：《爱的强盗》中美籍菲律宾裔流动文化身份的建构　出处：《广西师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：杰西卡·海格多恩是著名的当代美国菲律宾裔作家之一。《爱的强盗》是她的第二部小说,讲述的是二十世纪七十年代菲律宾裔里维拉一家移民美国的故事。这部小说凭借突破传统的叙事模式和自成一派的风格获得爱尔兰时报世界小说提名奖。本文运用斯图亚特·霍尔的文化身份理论,探讨《爱的强盗》中女主角如何建构既“存在”又“生成”的流动文化身份。本文由六个部分组成。第一章为引言,介绍杰西卡·海格多恩及其作品,对《爱的强盗》进行介绍和评论。第二章主要介绍文化身份的概念和斯图亚特·霍尔的文化身份理论。霍尔认为文化身份是在“存在”中“变化”的。文化身份的建构是流动和变化的,而不是稳定不变的。第三章分析里维拉一家的“存在”,也就是他们的菲律宾裔身份。包括美国文化对菲律宾裔的影响；传统的菲律宾文化在里维拉一家的体现。第四章分析女主角文化身份的建构过程。一开始移民到美国,女主角积极追求美国身份,抛弃她的菲律宾名字,改成美国味十足的名字,并追求代表美国文化的摇滚乐。然而她像所有少数族裔一样陷入文化身份认同的困境中,她决定抵制家乡语和母亲,仍然被美国主流社会双重边缘化。最终她选择回归菲律宾文化。第五章分析女主角“生成”流动文化身份,从而建构起菲律宾文化与美国文化融合的身份属性。在多元文化的美国,美国菲裔既不是完全的菲律宾人,也不是完全的美国人,而是“菲”中有“美”,“美”中有“菲”的融合。第六章为结论。作者认为,当代菲裔美国人在吸收美国新文化的同时应当尊重母文化,从而建立不同文化间的桥梁。流动性的文化身份构建,为菲裔以及少数族裔在美国的身份探寻和平衡不同文化寻找到了有效的途径。
[Abstract]:Jessica Hagrid Dorne is one of the most famous contemporary Filipino writers in the United States. Robber of Love is her second novel. In 1970s, the Filipino Rivera family immigrated to the United States. The novel won the Irish Times World Fiction nomination Award for breaking through traditional narrative patterns and styling itself. This paper uses Stuart Hall's theory of cultural identity to explore how the heroine in the Bandit of Love constructs a mobile cultural identity that is both "present" and "generated". This paper consists of six parts. The first chapter is an introduction to Jesica Hagrid Dorne and his work, introducing and commenting on the Bandit of Love. The second chapter mainly introduces the concept of cultural identity and Stuart Hall's theory of cultural identity. Hall believes that cultural identity is "changed" in "being". The construction of cultural identity is flowing and changing. Not stable. The third chapter analyzes the "existence" of the Riveras, that is, their Filipino identity, including the influence of American culture on Filipinos, and the embodiment of the traditional Filipino culture in the Rivera family. Chapter 4th analyzes the process of constructing the cultural identity of the heroine. The heroine actively pursues the American identity and abandons her Filipino name and changes it to the American name. And the pursuit of rock music, which represents American culture. However, like all ethnic minorities, she fell into the dilemma of cultural identity, and she decided to boycott her native language and mother. Still double marginalized by mainstream American society, she chose to return to Filipino culture. Chapter 5th analyzes the female protagonist's "generation" of mobile cultural identity, thus constructing the identity attribute of the fusion of Filipino culture and American culture. In multicultural America, Filipino-American people are neither completely Filipino. Nor is it a complete American, but there is beauty in the Philippines and an amalgamation of the Philippines in the beauty. Chapter 6th is the conclusion. The author holds that contemporary Filipino Americans should respect their mother culture while absorbing the new American culture, thus establishing a bridge between different cultures. Find an effective way to find and balance different cultures for Filipinos and minorities in the United States.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074

【共引文献】